What is Godox?

Godox is a photographic lighting and accessories brand producing a wide range of products for almost every conceivable photographic genre and style. The company is based in Shenzhen, China, but their products are now in use in every corner of the globe, and by every kind of photographer; from budding enthusiast to the hardworking professional. If your idea of Chinese-made photographic equipment is one of cheap components, shoddy materials, and poor performance, it’s likely you’re not acquainted with the fantastic range of Godox lights or their line of cleverly-designed and well-built accessories.

What Does Godox Specialise In?

The range of Godox lighting equipment covers everything from pocketable LEDs, through camera-mounted speedlites and portable studio strobes, to mains-powered flashes and high-output video lights. This impressive line-up is supported by a comprehensive range of accessories, including advanced wireless transmitters, stands, carry-cases, softboxes, and numerous other light modifiers. In short, Godox offers a complete system. 

One of the primary advantages of the Godox lighting system is that most products within the different categories will work together seamlessly. This means that once you’ve bought into the system, you should have no problem sharing and combining accessories between one product and another; even when switching between continuous lighting and portable flashguns, for instance.

As an example, a single wireless transmitter will allow you to remotely trigger and control the settings of everything from the brand’s mini-flash units to its top-of-the-range, high-powered studio strobes. Similarly, Godox makes extensive use of the Bowen’s mounting system; in many cases also supplementing this with adapters for Profoto, Elinchrom, and Broncolor accessories. This makes it possible to use the same modifiers across a wide range of products; from speedlites and studio strobes to LED video lights.

Who Are Godox Lights and Accessories For?

In a few words, Godox offers exceptional quality and usability for just a fraction of the price of the top-end European photographic lighting manufacturers. This makes the brand’s products the ideal solution for hard-working photographers on a budget who nonetheless do not wish to compromise on quality and features. 

How Do Godox Lights Compare With Competitors’ Products?

Even just a few years ago there was a degree of risk involved in going with certain Chinese lighting companies. Is that still the case? How do Godox’s products measure up against those of market leaders such as Elinchrom, Profoto, and Broncolor?

Things move fast in the world of lighting technology, and Godox has been doing this longer than most  - since the early ‘90s to be more precise. Any teething problems there might have been early on had been well and truly ironed out. A fact reflected by the widespread popularity of Godox lights today.

True, given a totally unlimited budget, most pro-photographers would likely choose to own Profoto or Broncolor gear. Realistically though, few but the very highest-paid professionals have that kind of budget to throw around these days. Meanwhile, an excellent Godox lighting kit can be purchased for little more than the price of renting a couple of Profoto studio lights for a single day. That’s a significant difference in cost.

There’s no denying that Profoto and Broncolor gear is exceptionally sturdy and well-built; hence why it can withstand the rigors of pro-rental. However, the upgrade in construction quality is not so huge as to justify the enormous disparity in purchase price when compared with Godox lights.

What’s more, if we leave aside the matter of build, the performance of Godox’s products is clearly comparable to that of its pricier competitors. Indeed, on some fronts it even outdoes them. If Profoto and Broncolor products can be considered our benchmark of 100% (and if we’re honest, that’s not always the case), then Godox is likely around 90%. Yet invariably their products cost one-third of the price.

Let’s put it this way; a tank may be the most secure form of off-road travel, but for most people, a regular 4WD will do just fine; it will also come at a far more accessible price point. If you’ve just landed a commission to shoot the next Gucci campaign (or you’re thinking of shooting fashion in a war zone), then, sure, you might want to go with Profoto. But anyone else will be good with the Godox.

Godox Lighting Products Explained

The Godox lighting range has expanded rapidly in recent years, meaning that there is now a confusing array of product names and numbers that new users must navigate before identifying the best Godox lights for their godox needs. To help you work out which Godox lighting products will be most suitable for your photography, we’ve put together a comprehensive, up-to-date list of all the Godox flash, continuous, and hybrid lighting products currently available.

Godox Speedlite Flashes

Until recently the market for affordable third-party speedlites had largely been dominated by other Chinese brands such as Yongnuo. That’s all changed; now Godox has made this terrain well and truly their own. The brand has achieved this rapid turnaround by offering a strong range of powerful little flash guns packed with advanced features of the kind normally only found on much more expensive products. 

Godox offers a wide range of speedlites for use both on and off camera. These are compatible with camera models from all the major manufacturers, such as Canon, Nikon, Sony etc. To help you choose the model that’s right for you, here’s a rundown of all the Godox speedlites currently available; a summary of their main features and advantages; and comparison tables to help you to decide between them. You can also check out our video below where we compare the Godox Speedlite Range, more specifically the TT350, V350, TT600, TT685, and V860II.

Godox A1 Hybrid Flash/LED Smartphone Flash & Trigger

The Godox A1 is a hybrid flash-LED-trigger device that fills a gap in the market for off-camera flash photography using smartphones. Fitting easily into the palm of the hand, and stylishly designed, the A1 makes an excellent companion to the latest generation of high-resolution smartphone cameras. Now you can achieve professional photographic results on your phone with very little extra equipment or investment. 

In practice, this could simply mean taking much more stylish and better-exposed selfies. Yet the A1 is every bit as suitable for shooting product photography too; making it a great option for those running a home e-commerce business.

The unit is controlled via Godox’s dedicated smartphone app. This allows you to remotely alter the A1’s setting - for example, change the power output, or turn on the modelling lamp - while also adjusting the settings of your phone’s camera for better manual results. There are also physical controls on the A1 itself - a handy top-dial and an easy-to-read LED display - making it simple to perfect your lighting setup on the fly. 

Being so small, the A1 can easily be hand-held while simultaneously shooting with your phone, or placed discretely just out of shot on a tripod, table, or another available surface. The unit could even be hidden in the shot itself for creative effect. 

Additionally, the A1 offers a high degree of integration with other products in the Godox lighting system, allowing it to become part of more sophisticated setups via wireless triggering - either as a master or a slave. So for those who already own other Godox lights, the A1 could be used in tandem with one or more other flash units; acting as a small front fill-light, for example.

Model	A1
Guide No. (1/1 power output)	Fn=8.1 (S0100) darkroom, 1m, 1/1 power output
Flash power	8W
Flash color temperature	6000K±200K
Flash power output	5 levels (1/16-1/1)
LED modeling lamp power	1W
LED modeling lamp color temperature	5600±200K
Display	OLED
Voltage/Current output from the sync cord jack	3V/3mA
Wireless Flash	2.4G Transmission and 433MHz Transmission
Wireless function	Master, Slave
Channel	2.4G: 32(1-32) 433MHZ: 16(1-16)
Controllable slave unit	2.4G: 16(0-9, A-F) 433MHz: 6(A-F)
Power source	Lithium Battery (3.8V/1000mAh)
Full power flashes	700
Whole shutdown current	<5UA
Recycle time	2.5s
Battery level indication	Yes
Whole sleep current	<8MA
Sync triggering mode	2.5mm sync cord
WxHxD	80x65x23mm
Net Weight	110g

A1 Mini

The Godox A1 Mini, or the “Ami” as it’s affectionately called, is a stripped-down and smaller version of Godox’s A1 smartphone strobe (above) that does away with some of the pro-level features of the original. Although the idea and design of the unit remain the same, the Mini lacks the wider compatibility offered by its predecessor. And without 2.4 GHz wireless functionality, all communication between the Mini and your phone is done over Bluetooth. In practice, this means that the A1 functions merely as a simple smartphone strobe light, and cannot be integrated into Godox’s broader flash trigger system in the same way that the A1 can. 

However, the fact that Godox has released a more minimal version of this flash actually makes a lot of sense. Most users will be interested in a product of this kind simply for shooting better selfies or quick product photos that they can upload to e-commerce sites such as Depop and eBay. And for that, they’ll have no need for either the A1’s more sophisticated specifications nor its higher price tag.

Model	A1 Mini
Guide No. (1/1 Power Output)	Fn = 5.3 (ISO 100) Darkroom, 3.3' / 1.0 m
Flash Power	5 W
Flash Color Temperature	6000K ± 200K
Power Source	Lithium battery (3.8 V / 610 mAh)
Full Power Flashes	500
Whole Shutdown Current	<10 μA
Recycle Time	<3 sec
Battery Level Indicator	Yes
Whole Sleep Current	<20 mA
Dimensions	2.4 x 1.8 x 0.7" / 60 x 46 x 17 mm
Weight	2.1 oz / 60 g
Package Weight	0.35 lb
Box Dimensions (LxWxH)	3.25 x 3.2 x 1.95"

 

TT350

The TT350 is a Godox flash for Sony, Canon, Nikon, Olympus, Pentax, and Fuji cameras that can be used in TTL, manual, optical slave, and multi-flash modes. The TT350 is very compact in size; reflected by the fact that it takes just 2 AA batteries rather than the standard 4 of a full-size speedlite. 

Naturally, fewer batteries and a smaller head translate into reduced output when compared with a full-size unit. Nonetheless, the aggressive “spank” of a high powered strobe on full-power will be overkill for anyone who largely just uses flash for filling in shadows or balancing with ambient light. Similarly, a full-size speedlite will make many smaller Mirrorless cameras a little too top-heavy for comfort.

Consequently, with its highly accessible price, the Godox TT350 will make a very appealing option for many more casual users or those with smaller cameras. Alternatively, for serious strobists looking to put together a more advanced off-camera flash setup, this would also make an excellent second or third flash unit when combined with one or two bigger guns. 

Having said this, despite its miniature size, the TT350 actually holds its own pretty well in the power department; offering a very noticeable step up in output when compared with the built-in flash of your average DLSR or Mirrorless camera. On paper, the unit offers a guide number of 36, and in practice, illumination is surprisingly powerful for such a small flashgun. Although recycling times are rated by the manufacturer at about 2.2 seconds, in practice they seem to be more like 2.5 seconds at full power; still pretty impressive for such a small gadget. 

The TT350 can also be used as both a master and slave radio controller, allowing you to fire other Godox flash guns at a distance. And when in wireless mode, the unit offers 3 groups, 16 channels, and a 30 metre sync range. 

The TT350’s UI is fairly minimal, featuring a simple layout under the LCD consisting of easy to press buttons and a selection dial. To anyone who has ever used a speedlite before, all controls will be fairly intuitive and self-explanatory. Finally, the build of this unit is extremely durable, and articulation of the head is very smooth with just the right degree of resistance.

To summarize, the TT350 does pretty much anything you could ever want from a speedlite, only in a somewhat smaller and less powerful format.

Model	TT350
Available Models	Nikon (TT350N), Sony (TT350S), Canon (TT350C), Fujifilm (TT350F), Olympus (TT350O)
Guide No. (1/1 output @ 105mm)	36 (m ISO 100)
Flash Coverage	24 to 105mm * Auto zoom (Flash coverage set automatically to match the lens focal length and image size) * Manual zoom * Swinging/tilting flash head (bounce flash): 0 to 270 horizontally and -7° to 90° vertically
Flash Duration	1/350 to 1/20000 seconds
Exposure Control system	TTL autoflash and manual flash
Flash exposure compensation (FEC)	Manual. FEB: +3 stops in 1/3 stop increments (Manual FEC.)
Sync mode	High-speed sync (up to 1/8000 seconds), first-curtain sync, and second-curtain sync
Multi flash	Provided (up to 90 times, 99Hz)
Wireless flash function	Master, Slave, Off
Controllable slave groups	3 (A, B and C)
Transmission range (approx.)	<_30m
Channels	16 (1~16)
Eective range (approx.)	Center: 0.6~4m/Periphery: 0.6~2.5m
AA batteries	Ni-MH batteries (recommended) or 2*LR6 alkaline batteries
Recycle time	Approx. 0.1-2.2 seconds (eneloop Ni-MH batteries of Panasonic). Red LED indicator will light up when the flash is ready.
Full power flashes	Approx. 210 (2500mAh Ni-MH batteries)
Power saving	Power of automatically after approx. 90 seconds of idle operation. (60 minutes if set as slave)
Sync Triggering Mode	Hotshoe, Optic triggering
WxHxD	140*62*38 mm
Weight without battery	200g

V350

Like the look of the Godox TT350 (above)? But aren’t willing to forego power in pursuit of a more compact design? Then the V350 could be just for you. 

This unit is essentially the same as the TT350, but with a built-in recyclable Lithium-ion battery providing more flashes and faster recycling times. Indeed, the boost from the Li-ion effectively halves the amount of time you’ll need to wait before you can fire again.

True, the V350 is very marginally longer in the head and bulkier in the body than the TT350; but if you crave more power, this minor compromise in size and weight is well worth the trade-off. Other than this though, there’s essentially no difference between the two models, so only go for the more costly V350 if you think you’ll need the extra power and speed.

Model	V350
Available Models	Nikon (V350N), Sony (V350S), Canon (V350C), Olympus (V350O), Fujifilm (V350F)
Guide No. (1/1 output @ 105mm)	36 (m ISO 100)
Flash Coverage	24 to 105mm * Auto zoom (Flash coverage set automatically to match the lens focal length and image size) * Manual zoom * Swinging/tilting flash head (bounce flash): 0 to 270 horizontally and -7° to 90° vertically
Flash Duration	1/350 to 1/20000 seconds
Exposure Control System	TTL autoflash and manual flash Manual. FEB: ±3 stops in 1/3 stop increments
Flash Compensation	-3 to +3 EV (1/3 EV Steps)
Compensation (FEC)	(Manual FEC.)
Sync mode	High-speed sync (up to 1/8000 seconds), first-curtain sync, and second-curtain sync
Mult- flash	Provided (up to 90 times, 99Hz)
Wireless Flash	2.4G transmission
Wireless flash function	Master, Slave, Off
Controllable slave groups	3 (A, B and C)
Transmission range (approx.)	<_50m
Channels	16 (1~16)
Auto Focus Assist Beam Effective range (approx.)	Center: 0.6~4m/Periphery: 0.6~2.5m
Lithium batteries	7.2V/2000mAh
Recycle time	0.1s~1.7s / Red LED indicator will light up when the flash is ready.
Full power flashes	Over 500
Power saving	Power of automatically after approx. 90 seconds of idle operation. (60 minutes if set as slave)
Sync Triggering Mode	Hotshoe, Optic triggering
WxHxD	150*62*38 mm
Weight without battery	210g
Weight with battery	290g

TT600

The TT600 is a manual-only speedlite for i.e. it doesn’t offer TTL operation. This makes it more useful as part of an off-camera multi-strobe setup than as a primary on-camera flash unit. However, one thing that you do get here - and this is something of a game-changer considering the price of this light - is high-speed sync (HSS). And via wireless to boot!

Additionally, as with most other Godox flash products, the TT600 can be used as either a wireless master or a slave. This means that it’s ideal for use as an off-camera flash at a distance, controlled via one of the Godox wireless transmitters (see below), or just as equally it can be used to remotely trigger any other Godox flash unit(s) you may own.

The TT600  features an easy-to-use interface; chunky, robust buttons; and a nice smooth selection dial. The rotating flash-head provides satisfying action, with good resistance and clear stops when adjusting the angle. Finally, as with all these little Godox flash units, the construction quality of the TT600 is very sturdy. And while the battery door is inevitably the weakest part of any speedlite, here it fits very snugly and feels solidly built. The unit takes 4 AA batteries.

Got a Sony camera and want the TT600? This is the wrong model; you need the TT600s (below).

Model	TT600S
Guide No. (1/1 power @ 200mm)	GN60 (m ISO 100)
Vertical Rotation Angle	-7° to 90°
Horizontal Rotation Angle	0° to 360°
Power Supply	Ni-MH batteries (recommended) or 4*LR6 alkaline batteries
Full Power Flashes	Approx. 230 (2500mAh Ni-MH batteries)
Recycle Time	Approx. 0.1-2.6 seconds (eneloop Ni-MH batteries of Panasonic). Red LED indicator will light up when the flash is ready.
Flash Duration	1/300s - 1/20000s
Color Temperature	5600±200K
Wireless Flash Function	Master, Slave, Off
Controllable slave groups	5 (A, B, C, D, E)
Transmission Range (approx.)	100m
Channel	1-32
Dimension	64mm *76mm*190 mm
Weight without Battery	400g
Weight with Battery	500g

TT685

Providing a higher output than the other units we’ve covered here so far, the TT685 is quite a serious Godox flash gun that’s available for Panasonic, Nikon, Canon, Sony, Fuji, and Olympus cameras. Whereas the TT350 and 600 models (above) are great little speedlites for using with a smaller Mirrorless camera, or as secondary flash units in a multi-strobe setup, the TT685 offers TTL operation and a range of other specifications more comparable with high-end flash units from household-name manufacturers. This makes it a great choice as a primary flash gun - even on larger cameras such as DSLRs.

In addition to the increased power output, the TT685 is also capable of covering a much wider zoom range, with settings available from 20mm through to 200mm. As ever, build is very solid and reassuring, and there’s a custom lock button to stop you from accidentally changing flash parameters mid-shoot.



Once again the TT685 can be used as either a master or slave over 2.4 GHz wireless, with the LCD changing colour depending upon which mode you select; a green light means master, while orange indicates that the flash is functioning as a slave. This makes it quick and easy to tell which unit you’re dealing with when working with multiple strobes placed at a distance.

All in all, if you’re looking for a single workhorse TTL speedlite for use with your Mirrorless or DSLR camera, you could do a lot worse than the Godox TT685.

Model	TT685S
Guide Number	196.85' / 60 m at ISO 100 (200 mm Position)
Coverage	Full-Frame 20 to 200 mm 14 mm (with Wide-Angle Adapter)
Bounce Head	-7 to +90°
Swivel Head	360°
Flash Duration	1/300 to 1/20000 Second
Recycle Time	Approx. 0.1 to 2.6 Seconds
Secondary Illumination	Modeling Light
Exposure Control	ADI / P-TTL
Flash Modes	Hi-Speed Sync, Second-Curtain Sync
Power Range	1/1 to 1/128
Flash Compensation	-3 to +3 EV (1/3 EV Steps)
Wireless Operation	Radio Up to 328.08' / 100 m Optical Pulse Up to 49.21' / 15 m (Master, Slave)
Wireless Channels	32
Wireless Groups	3
Slave Timing Modes	Instant Sync Skip Preflash
Internal Power	4 x AA (Alkaline, NiMH)
External Power Pack Compatible	Yes
Mount	Shoe
Off-Camera Terminal	3.5 mm
Dimensions (W x H x D)	2.5 x 3 x 7.5" / 64 x 76 x 190 mm
Weight	14.46 oz / 410 g (without Batteries)
Package Weight	1.25 lb
Box Dimensions (LxWxH)	7.9 x 3.6 x 3.2"

V850II

The Godox V850II is a full-sized speedlite with a built-in Lithium-ion battery. With its high-power output and fast recycling times, the V850II is well suited for use with a DSLR or larger Mirrorless camera. However, as the unit doesn’t offer TTL operation, for most photographers it’s likely to be most attractive as a powerful off-camera flash. Similarly, HSS is only available when the unit is used via wireless, making the V850II a more obvious choice for use as part of a multi-flash or studio setup.

If you consider the lack of TTL and full-HSS capabilities to be a deal-breaker, you may want to consider the otherwise identical V860II (below) as an alternative.

Model	V850II
Guide Number	197' / 60.05 m at ISO 100 (200 mm Position)
Coverage	Full-Frame 20 to 200 mm
Bounce Head	-7 to +90°
Swivel Head	360°
Flash Duration	1/300 to 1/20000 Second
Recycle Time	Approx. 1.5 Seconds
Secondary Illumination	None
Exposure Control	Manual
Flash Modes	Hi-Speed Sync
Power Range	1/1 to 1/128
Flash Compensation	None
Wireless Operation	Radio Up to 328.1' / 100 m (Master, Slave)
Wireless Channels	32
Wireless Groups	5
Slave Timing Modes	Instant Sync Skip Preflash
Internal Power	1 x Rechargeable
External Power Pack Compatible	No
Mount	Shoe
Off-Camera Terminal	2.5 mm
Dimensions (W x H x D)	2.5 x 3 x 7.5" / 6.3 x 7.6 x 19.1 cm
Weight	18.7 oz / 530.1 g (with Battery)
Package Weight	2.08 lb
Box Dimensions (LxWxH)	9.1 x 8.25 x 3.05"

 

V860II

The Godox V860II is essentially a TTL and fully HSS-capable version of the V850II (above). Other than this though, both offer the same output and run on built-in rechargeable Li-ion batteries.

Model	V860II
Guide Number	196.85' / 60 m at ISO 100 (200 mm Position)
Coverage	Full-Frame 20 to 200 mm 14 mm (with Wide-Angle Adapter)
Bounce Head	-7 to +90°
Swivel Head	360°
Flash Duration	1/300 to 1/20000 Second
Recycle Time	Approx. 0.1 to 1.5 Seconds
Secondary Illumination	None
Exposure Control	ADI / P-TTL
Flash Modes	Hi-Speed Sync, Second-Curtain Sync
Power Range	1/1 to 1/128
Flash Compensation	-3 to +3 EV (1/3 EV Steps)
Wireless Operation	Optical Pulse Up to 49.21' / 15 m (Master, Slave) Radio Up to 328.08' / 100 m (Master, Slave)
Wireless Channels	32
Wireless Groups	2
Internal Power	1 x Rechargeable
External Power Pack Compatible	No
Mount	Shoe
Off-Camera Terminal	2.5 mm
Dimensions (W x H x D)	2.5 x 3 x 7.5" / 64 x 76 x 190 mm
Weight	15.17 oz / 430 g

 

V1

The Godox V1 is the brand’s flagship speedlite, for use both on and off camera; effectively bridging the gap between regular speedlites and more advanced studio strobes. The first thing you’ll notice about the V1 is that it features a rounded head, rather than the standard rectangular one of most speedlites. In theory, this unusual shape leads to a much softer and more pleasing quality of light than the rectangular fresnel head of a standard portable flashgun.

While clearly a small head without modifiers will never achieve the softness of a big studio unit with a softbox, in practice the effect produced by the V1 is very attractive indeed. In fact, the V1 even outdoes speedlites from very popular and respected brands such as Metz, both in terms of the quality of light and accuracy of TTL performance. 



In any case, if the softness of light is what you seek, the V1 is compatible with Godox’s impressive range of magnetic accessories (below), allowing for the quick and easy changing of light modifiers. The unit features an impressively powerful modeling light and runs on a built-in rechargeable Lithium-ion battery that’s good for about 480 full-power flashes. If you think that you’ll need even more juice than this, spare batteries are available at a very reasonable price, and will charge quickly via USB.

The build of the V1 is very rugged, and the head can be positioned at a broader range of vertical angles than usual, allowing you to bounce light from above and behind if necessary. Meanwhile, as with most of the Godox flash units we’ve looked at here, the head swivels 330 degrees horizontally. 

Model	V1C	V1N	V1S	V1F	V10	V1P
Compatible cameras	Canon EOS cameras (E-TTL II autoflash)	Nikon cameras (i-TTL autoflash)	Sony cameras (TTL autoflash)	Fujifilm cameras (TTL autoflash)	Olympus/Panasonic cameras (TTL autoflash)	Pentax cameras (TTL autoflash)
Power(1/1 output)	76Ws
Flash Coverage	28 to 105mm
Flash Duration	1/300 to 1/20000 seconds
Exposure Control system	E-TTL II autoflash and manual flash	i-TTL autoflash and manual flash	TTL autoflash and manual flash
Flash exposure compensation (FEC)	Manual.  FEB: ±3 stops in 1/3 stop increments (Manual FEC and FEB can be combined.)
FE lock	With <FEL>button or<*> button
Sync mode	High-speed sync (up to 1/8000 seconds), first-curtain sync, and second-curtain sync
Multi flash	Provided (up to 100 times, 199Hz)	Provided (up to 90 times, 100Hz)				Provided (up to 100 times, 199Hz)
Wireless flash function	Master, Slave, Off
Master groups	A, B, C, D	M, A, B, C
Controllable slave groups	A, B, C, D, E (E group can be Controllable by X series flash trigger )	A, B, C, D, E (D/E group can be controlled by X series flash trigger)
Transmission range (approx.)	100m
Channels	32 (1~32)
ID	01~99
Modeling flash	Fired with camera's depth-of-field preview button
Effective range (approx.)	Center: 0.6~10m/2.0~32.8 feet / Periphery: 0.6~5m/2.0~16.4 feet (Note: V10 does not have this function.)
Power	2W
Color Temperature	3300K±200K
Power source	7.2V/2600mAh Li-ion battery
Recycle time	Approx 1.5 seconds. Green LED indicator will light up when the flash is ready.
Full power flashes	Approx. 480
Power saving	Power off automatically after approx. 90 seconds of idle operation. (60 minutes if set as slave)
Sync Triggering Mode	Hotshoe, 2.5mm sync cable
Color Temperature	5600K±200K
WxHxD	76*93*197 mm
Weight without battery	420g
Weight with battery	530g

 

Witstro Flash Strobes

Godox’s Witstro flashes are designed to provide professional-level lighting solutions on the move. The range includes many of the brand’s most innovative and stand-out strobe designs and incorporates state-of-the-art features to rival the top end manufacturers. The Witstro line includes everything from potent pocket-sized flashes that make a more powerful and versatile alternative to speedlites, through to high-Watt Lithium-ion-powered portable studio strobes that permit compromise-free shooting even when working on locations lacking mains power.

AD360II

The Godox AD360II is an updated version of the brand’s popular AD360; a highly powerful bare-bulb flash unit that comes cheaper than most top-end Nikon or Canon speedlites, yet far outperforms them in terms of output. What’s more, with the latest iteration, users gain integrated long-range wireless control and full HSS, making this a very highly specced unit indeed. 

As with other Godox flash products, the AD360II will work over wireless as either master or slave. It is also compatible with the X1 transmitter (below), or can just as easily control - or be controlled by - other Godox flash units, such as the TT685.

The AD360II boasts great TTL functionality, full manual mode, and highly effective high-speed sync up to 1/8000. The UI consists of a decent-sized LCD, chunky buttons, and an easy-to-use dial on the back. For anyone who has used a regular speedlite before, menus will be a breeze to navigate.

The flash runs on slimline external Lithium-ion battery packs that are rated for a staggering 1,800 flashes. While these packs feature 2 outputs so as to permit running a pair of lights simultaneously, by using Godox’s “Y” cable adapter you can plug the AD360II into both outputs, thus halving recycle times.

Model	AD360II-N WITSTRO TTL	AD360II-C
Guide Number	262.47' / 80 m at ISO 100	262.47' / 80 m at ISO 100
Bounce Head	-15 to +90°	-15 to +90°
Swivel Head	270°	270°
Flash Duration	1/220 to 1/10000 Second	1/220 to 1/10000 Second
Recycle Time	Approx. 0.05 to 4.5 Seconds	Approx. 0.05 to 4.5 Seconds
Secondary Illumination	None	None
Exposure Control	Manual, i-TTL	E-TTL / E-TTL II, Manual
Flash Modes	Hi-Speed Sync, Second-Curtain Sync	Hi-Speed Sync, Second-Curtain Sync
Power Range	1/1 to 1/128	1/1 to 1/128
Flash Compensation	-3 to +3 EV (1/3 EV Steps)	-3 to +3 EV (1/3 EV Steps)
Wireless Operation	Radio Up to 229.66' / 70 m (Master) Up to 328.08' / 100 m (Slave) Optical Pulse Up to 9.84' / 3 m (Master) Up to 49.21' / 15 m (Slave)	Radio Up to 229.66' / 70 m (Master) Up to 328.08' / 100 m (Slave) Optical Pulse Up to 9.84' / 3 m (Master) Up to 49.21' / 15 m (Slave)
Wireless Channels	32	32
Wireless Groups	3	3
Slave Timing Modes	Instant Sync Skip Preflash	Instant Sync Skip Preflash
Internal Power	None	None
External Power Pack Compatible	Yes	Yes
Mount	Shoe	Shoe
Off-Camera Terminal	3.5 mm, PC	3.5 mm, PC
Dimensions (W x H x D)	3 x 3.7 x 8.7" / 75 x 95 x 220 mm	3 x 3.7 x 8.7" / 75 x 95 x 220 mm
Weight	1.76 lb / 800 g (without Flash Tube, without Reflector)	1.76 lb / 800 g (without Flash Tube, without Reflector)
Package Weight	3.485 lb	3.65 lb
Box Dimensions (LxWxH)	11.25 x 10.25 x 6.3"	11.2 x 10.2 x 6.2"

AD200

Bigger than a speedlite, but much shorter and slimmer than your average studio strobe, the Godox AD200 is a very lightweight and solidly-built flash that is ideal for high-powered location photography on-the-fly. The AD200 features a sleek design, with sturdy controls and a battery that doesn’t stick out of the unit - unlike comparable products from competitor brands. This makes it much easier to stow and carry.

The AD200 allows for full manual, TTL, and HSS shooting. Beyond this, though, one of the major attractions of the unit is the fact that you can quickly switch between a fresnel and bare-bulb head. With the speedlite-style fresnel head providing concentrated output and greater protection for the bulb when on the move, but the bare-bulb offering a wider arc and more attractive quality of light when used with a softbox or other large modifier.

Speaking of modifiers, another clear advantage of these lights is simply the wide range of accessories they are compatible with. For example, there’s the AD-S2 standard reflector for general use. Alternatively, those in need of softer light can reach for the highly compact AD-S17 wide-angle diffuser, which provides a much more travel-friendly alternative to carrying a softbox. And for more directional lighting, there’s the AD-S9 honeycomb-snoot or the BD-07 honeycomb-barn doors. 

Meanwhile, the EC200 head-extension cable effectively transforms your AD200 into a small flash head with a separate battery pack; rather like a miniature studio light. And anyone who also needs to shoot with continuous lighting from time to time will likely be interested in the AD-L head, as this will transform your AD200 into a portable LED video light. Finally, want to double your output power by combining two AD200 units and just one head? The AD-B2 dual-power flash bracket is for you.

Compact yet highly versatile, these little units are a total blessing for any frequent air-travelers who have become fatigued by the ever more stringent controls on checked baggage. They are small and discrete enough that they are unlikely to cause you any arguments with airport security, yet still pack a huge amount of power once you get to your destination.

Indeed, the AD200 is much more powerful than a speedlite and only marginally less so than something like the Godox AD600 (below). It recycles to full power in just over 2 seconds, and the battery is rated for 500 shots from a full charge. That’s a lot of punch from so small a unit. Purchase a couple of these and an AD600Pro, and you’ve got a highly potent studio lighting setup that you can take virtually anywhere 

Model	AD200
Wireless Slave Unit Mode	Radio transmission mode (compatible with Nikon & Canon & Sony)
Flash Mode	Wireless off: M/Multi Slave unit of radio transmission: TTL/M/Multi
Compatible Cameras under Radio	Nikon cameras (X1N as master unit)
Transmission (as slave unit)	Canon EOS cameras (X1C as master unit) Sony cameras (X15 as master unit)
Guide No. (1/1 Output)	Speedlite flash head: 52 (m ISO 100, @35mm) Bare bulb flash head: 60 (m ISO 100, with the AD-S2 standard reflector, @28mm)
Flash Duration to. 1 (approx.)	Speedlite flash head: 1/220 to 1/13000 seconds Bare bulb flash head: 1/220 to 1/11300 seconds
POWER	200W
Power Output	8 steps: 1/128-1/1
Stroboscopic Flash	Provided (up to 90 times, 99Hz)
Flash Exposure Compensation (FEC)	Manual. FEB: ±3 stops in 1/3 stop increments.
Sync mode	High-speed sync (up to 1/8000 seconds), first-curtain sync, and second-curtain sync
Delay Flash	0.01-30 seconds
Mask	Yes
Beeper	Yes
Modeling Lamp (LED)	Yes
Optic Slave Flash	S1/S2
Flash Duration Indication	Yes
Wireless flash function	Slave, Off
Controllable slave groups	5 (A, B, C, D, and E)
Transmission range (approx.)	100m
Channels	32 (1-32)
Power Supply	Lithium battery pack (14.4V/2900mAh)
Full Power Flashes	500
Recycle Time	Approx. 0.01-2.18
Battery Indicator	Yes
Power Indication	Power hibernate automatically after approx. 30 minutes of idle operation.
Sync Triggering Mode	3.5mm sync line, Wireless control port
Color Temperature	5600±200k
Dimension	168x75x50mm (flash head not included)
Net Weight	560g (flash head & battery not included)

AD200Pro

The AD200Pro keeps the winning design of its predecessor (the AD200, above), but adds better colour stability via a dedicated “Stable Colour Temperature Mode.” Other changes include an improved, and now recessed, rear display; an increased power range; and output that is changeable in 1/10 increments. Godox also claims slightly faster recycle times.

All the accessories that go with the AD200 will also work on the Pro version, including the round head. However, if you want to make use of this latter item you’ll need to purchase it separately, as by default only the fresnel head is included in the box with the AD200Pro. As with the AD200, the AD200Pro will also work with the EC200 extension head.

Model	AD200Pro
Wireless Slave Unit Mode	Radio transmission mode (compatible with Nikon & Canon & Sony& Fujifilm & Olympus & Panasonic & Pentax)
Flash Mode	Wireless off (M/Multi) Slave unit of radio transmission (TTL/M/Multi)
Compatible Cameras under	Nikon cameras (X1T-N as master unit):Canon EOS cameras (X1T-C as master unit)
Radio Transmission	Sony cameras (XIT-S as master unit); Fujifilm cameras(X1T-F as master unit)
(as slave unit)	Olympus cameras(X1T-O as master unit)
Guide No. (1/1 Output)	Speedlite flash head: 52 (m ISO 100, @35mm) Bare bulb flash head: 60 (m ISO 100, with the AD-S2 standard reflector @28mm)
Flash Duration t.01 (approx.)	Speedlite flash head: 1/220 to 1/15380 seconds Round flash head/Bare bulb flash head: 1/220 to 1/13510 seconds
Power	200ws
Power Output	9 steps:1/2561/1, in 1/10th stop increments
Stroboscopic Flash	Provided (up to 90 times, 99Hz)
Flash Exposure	Manual. FEB: ±3 stops in 1/3 stop increments.
Sync mode	High-speed sync (up to 1/8000 seconds), front-curtain sync, and rear-curtain sync
Delay Flash	0.01-30 seconds
Mask	Yes
Beeper	Yes
Modeling Lamp (LED)	Yes
Optic Slave Flash	S1/S2
Flash Duration Indication	Yes
Wireless flash function	Slave, Off
Controllable slave groups	5 (A, B, C, D, and E)
Transmission range (approx.)	100m
Channels	32 (1-32)
Power Supply	Lithium battery (14.4V/2900mAh)
Full Power Flashes	500
Recycle Time	Approx. 0.01-1.85
Battery Indicator	✓
Power Indication	Power standby automatically after approx. 30 minutes of idle operation.
Sync Triggering Mode	3.5mm sync line, Wireless control port
Color Temperature	5600±200K
Stable Color Temperature	Change within #700K over the entire power range under under stable color temperature mode
Dimensions	172x54x75mm (flash head not included)
Net Weight	590g (flash head & battery not included)

AD300Pro

A new addition to the Godox stable, the AD300Pro is a beautifully-designed little barrel of a light that packs a lot of power into its sleek and lightweight body. In appearance, the AD300Pro is perhaps the closest any Godox product gets to Profoto’s offerings; with a fully modern silhouette that makes most traditional studio lights look like the relic from the last century that they are. But beyond superficial resemblance, the AD300Pro also offers a level of performance that is comparable to models such as Profoto’s B10 units - but for less than a third of the cost. 

The AD300Pro runs on a Lithium battery pack that slots in easily from the back; making it simple to switch-out while shooting. Rated to provide 320 full-power flashes on the move, the battery will recharge to full in less than two and half hours. 

The AD300Pro is controlled by an easy-to-use combination of buttons surrounding a good-sized LCD on the rear of the unit. Meanwhile, built-in 2.4 GHz radio triggering makes the light TTL-compatible with a wide array of camera models from Canon, Nikon, Fuji, and Olympus, through to Pentax, Panasonic, and Sony.

The AD300Pro comes with a slim integrated reflector, for a highly attractive quality of light right off the bat. Alternatively, those looking to sculpt their light further will find a wide range of compatible modifiers to choose from. These include the AD-65/85 softboxes, the SN04 snoot, the AD-R12 long-focus reflector, and the BD-08 barndoor kit. And with its 12W output, the AD300Pro’s bi-color (3000K -6000K) LED modelling light could also double as a video light in a pinch.

Model	AD300Pro
Wireless Slave Unit Mode	Radio Transmission Mode (Compatible with Canon, Nikon, Sony, Olympus, Panasonic, Fujifilm and Pentax)
Flash Mode	TTL/M/Multi
Flash Duration t.01 (approx)	1/220s ~ 1/10200s
Power	300W
Power Output	9 Steps: 1/256~1/1
Sync Mode	HSS (up to 1/8000s), First curtain Sync, Second-curtain sync
Delay Flash	0.01~30s
Modelling Light	12Ws; Colour temperature 3000k~6000k±500k; Brightness: 1~10 Steps
Optic Slave Flash	S1/S2
Wireless Flash Function	Slave/Off
Controllable Slave Groups	5 Groups: A, B, C, D, E
Channels	1~32
Power Supply	Lithium Battery (14.4V/2600mAh)
ID	01~99
Full Power Flashes	320
Recycle Times	0.01~1.5s
Energy Saving	Powers off Automatically after 30min (adjustable) or idle operation
Sync Triggering Mode	3.5mm Sync Cord
Flash Duration Indication	Yes
Colour Temperature	5600K±200K
Stable Colour Mode	5600±75°K
Dimensions	190x100x90mm
Wireless	Built-In 2.4 GHz Wireless X System
Mount	Godox Native Mount

AD400Pro

You could be forgiven for imagining that the AD400Pro would essentially just be the AD200Pro with 200Ws of extra juice. Or an AD300Pro with 100W more. In actual fact, though, while still very mobile and easy to use, the AD400Pro is an altogether different unit. Indeed it’s more like a regular studio strobe in appearance and has little in common with the minimalist brick design of the two AD200 models or the self-contained tube of the AD300. 

Looks aren’t everything, though, and the AD400Pro is an impressive performer; offering TTL, manual, and multimode operation, and featuring a very bright LED 30W modeling lamp. It’s rated for 390 full-power flashes and boasts a recycling time of just one second; highly impressive for a portable light of this kind. The unit can be set to power-off automatically when left inactive for long periods of time, helping to save the battery.

The AD400Pro comes with the Godox mount as standard, making it compatible with the AD-S65/85 softboxes right out of the box. Additionally, there are interchangeable adapter rings available for Bowen’s, Profoto, and Elinchrom light modifiers - something that’s lacking from even the higher-powered AD600Pro (below). The whole kit arrives neatly packed in its own carrying case, allowing snug and secure storage of the unit once a job’s done. 

Finally, one clear advantage of the AD400Pro over most competing portable lighting units is the fact that it can also run on mains power. Keep the battery in the pack while shooting indoors using the AC400 power adapter and it will recharge for when you’re ready to move to the next outdoor location. There’s also the H400P head-to-pack extension cable for when using the AD400Pro on particularly tall lighting stands; allowing you to keep the power pack low down as ballast, ensuring that the head remains safely balanced high up on the stand.

Model	AD400Pro
Maximum Power	400ws
Power Control	9 Stops in ⅓-Stop increments
Guide Number	236.22’ / 72m ISO 100 with Reflector
Flash Duration	1/240 to 1/12,820 Sec
Recycle Time	0.01 to 0.9 sec (Full Power)
Colour Temperature	5600 ± 200k
Flash Ready Indicator	Audio
Accessory Fitting Type	Bowens S Type
Modeling Light	LED, 30W, 4800K
Sync Type	Button, Cable, Optical, Radio
Sync Speed	1/8000 Sec (High Speed)
Wireless Frequency Bands	2.4GHz
Wireless Channels/Groups	32/5
Wireless Range	328.1’/100m (Radio)
Interface	USB Type-C
Delay Range	0.01 to 30 Sec
Power Source	AC Adaptor, External Battery (AC Sold Separately)
Battery	Lithium-Ion
Maximum Output Voltage	21.6 VDC
Capacity (mAh)	2600mAh
Flashes Per Charge	390 Flashes (Full Power)
Display	LCD
Mount	⅝” /16mm Recepticle
Auto Dump	Yes
Fan Cooled	Yes
Dimensions	H:102mm x W: 128mm x L220mm (Including Battery)
Weight	2.1kg, Including Battery

Godox AD400Pro Accessories

Check out our YouTube video where we review the Godox AD400Pro compatible accessories including the Godox S2 Bracket, H400P extension handle, the AD-S65 White/Silver softboxes, and the Profoto, Broncolor, and Elinchrom adapters. 

AD600BM

The AD600BM is a manual-only flash unit that packs an impressive blast of power (guide 87) from its rechargeable Lithium battery pack. However, lacking TTL capabilities, it’s a light that will be less suited to run-and-gun shooting situations such as weddings and other events, instead of finding its place in the studio or on location for portraiture, fashion, product shots, etc. And with full HSS capabilities on offer, it’s also well equipped for working outside in bright sunshine.

The unit boasts a bright 10 W modeling light, and both output and colour consistency is excellent. While recycling times are not the fastest compared to some other Godox flash models, they are nonetheless pretty impressive. 

As with many other Godox flash units, the AD600BM can be used with an extension head (in this case the AD-H600), and powered by an AC adapter (the AD-AC) for when shooting close to mains power.

If the lack of TTL makes the AD600BM a no-go as far as you’re concerned, you may want to check out the AD600B (below).

Model	AD600M/AD600BM
Flash Mode	Wireless off, M/Multi
Guide No. (m ISO 100)	87(m ISO 100,with AD-R6/R7 standard reflector)
Flash Duration	1/220 to 1/10000 seconds
POWER	600W
Power Output 9 steps	1/256~1/1
Stroboscopic Flash	Provided(up to 100 times, 100Hz)
Sync Mode	High-speed sync (up to 1/8000 seconds), first-curtain sync, and second-curtain sync
Delay Flash	0.01~30 seconds
Mask	Yes
Fan	Yes
Beeper	Yes
Modeling Lamp(LED)	10W
Optical Slave Flash	S1/S2
Flash Duration Indication	Yes
Display	Dot-matrix panel
Wireless Flash Function	Slave, Off
Controllable Range(approx.)	2.4G, 5: A,B,C,D,E
Transmission Range(approx.)	2.4G, 80m
Channels	2.4G, 32: 1~32
Power Supply	Lithium battery pack (11.1V/8700mAh)
Full Power Flashes	500
Recycle Time	0.01~2.5s
Battery Indicator	Yes
Power Indication	Power off automatically after approx. 60 minutes of idle operation
Sync Triggering Mode	3.5mm sync line, wireless control port
Color Temperature	5600±200k

AD600B

This is the TTL version of the AD600BM, with all other specifications remaining the same. This means you get a powerful Lithium battery pack, fast recycling times, triggering over 2.4 GHz wireless, consistent colour and output, and a 10 W modeling light with 3 output settings. As with other top-of-the-range Godox lights, the unit will automatically switch off after a period of prolonged inactivity. 

As with the AD600BM, the AD600B can also be used with the AD-H600 extension head and the AD-AC mains adapter.

Model	AD600B
Wireless Slave Unit Mode	*Radio transmission mode (compatible with Nikon Canon) *Optical transmission mode (compatible with Nikon Canon)
Flash Mode	Wireless off (M/Multi) Slave unit of radio transmission (TTL/M/Multi) Slave unit of optical transmission (TTL/M/Multi)
Compatible Cameras under Radio	Nikon cameras, supporting i-TTL/M/RPT flash (X1N as master uit, etc.)
Transmission (as slave unit)	Canon EOS cameras, supporting E-TTL II/M/RPT flash (X1C as master unit, etc.)
Guide No. (m ISO 100)	87 (m ISO 100, with AD-R7 standard reflector)
Flash Duration	1/220 to 1/10000 seconds
POWER	600W
Power Output	9 steps: 1/256 1/1
Stroboscopic Flash	Provided (up to 100 times, 100Hz)
Flash Exposure Compensation	(FEC) Manual. FEB: ±3 stops in 1/3 stop increments.
Sync mode	Hi gh-speed sync (up to 1/8000 seconds), first-curtain sync, and second-curtain sync
Delay Flash	0.01 30 seconds
Mask	Yes
Fan	Yes
Beeper	Yes
Modeling Lamp (LED)	10 W
Optic Slave Flash	S1/S2
Flash Duration Indication	Yes
Display	Dot-matrix panel
Wireless flash function	Slave, Off
Controllable	Optical : 3 (A, B, and C)
Slave groups	2.4G: 5 (A, B, C, D, and E)
Transmission	Optical Indoors: 12 to 15 m / 39.4 to 49.2 ft. Outdoors: 8 to 10 m / 26.2 to 32.8 ft.
Range (approx.)	2.4G: 80m
Channels	Optical: 4 (1, 2, 3, and 4) 2.4G: 32 (132)
Power Supply	Lithium battery pack (11.1V/8700mAh)
Full Power Flashes	500
Recycle Time	Approx. 0. 01-2.5s
Battery Indicator	Yes
Power Indication	Power off automatically after approx. 60 minutes of idle operation
Sync Triggering Mode	3.5mm sync line, Wireless control port
Color Temperature	5600 ± 200K
Dimension (with battery)	220*245*125mm (flash tube & reflector not included)
Net Weight (with battery)	2. 66Kg (flash tube & reflector not included)

AD600Pro

The Godox AD600Pro is a very serious portable strobe that will satisfy the needs of almost any photographer - from the casual enthusiast through to the seasoned professional. In many ways very similar to Profoto’s B1 and B10 models, the AD600pro is well suited to top-end commercial photography, events, fashion, portraiture, product, and still-life photography; essentially any scenario in which a high output, fast recycling times, and total ease of use are of the essence.

However, it’s worth remembering that although this is pretty much the top of the range for Godox in terms of specifications, it’s more or less the bottom of the range for brands like Profoto and Broncolor. Which is not to say that the Godox product is inferior. Quite the opposite; what you’re getting here is a premium quality studio light that is comparable to products offered by the very best manufacturers - even outperforming them on several fronts - but for a fraction of the price. In fact, little more than a third of the price; depending on precisely which Broncolor or Profoto product we’re talking about.

As we’ve just seen though, the AD600’s B and BM models (above) are already very powerfully specced. So what makes this one worthy of the “Pro” tag and accompanying price-hike? Well, for a start, although the AD600Pro’s output remains the same (guide number 87), recycling times are significantly faster on this unit than the previous two models. Indeed, they are actually faster than with comparable Profoto products. Wireless sync range, too, has been extended, and there’s a much more powerful modeling light on offer here as well.

As with the AD600B, there’s also TTL operation. And, in common with a few other top of the range Godox flash units, there’s a consistent colour temperature mode for when precision in this department is essential. 



Admittedly the unit is a touch heavier than the B and BM models, but not enough to cause concern. Less positively, however, at 360 full-power flashes per charge, the Pro will actually keep you shooting for less time than the cheaper B and BM versions. So if you are a heavy shooter, you will likely want to invest in a second battery (they take just a couple of hours to charge). Handily, the AD600Pro can also be powered by the AC26 mains adapter. And for those times when you need to position the light high up on a tall stand, there’s the H600P extension head.

Whereas Profoto units typically allow for adjustments of 1/10, power on the AD600Pro can be increased only in increments of 1/3 stop. But just how precise any brand really is on this front is open to some considerable doubt, so in practice the difference may not matter a great deal anyway.

The Godox AD600Pro is a fantastic bit of kit that is truly unbeatable on features at this price point. You’ll want to be absolutely certain that you really need the extra specs it offers though, as it comes in at almost twice the cost of the manual-only AD600BM.

Model	AD600Pro
Wireless Slave Unit Mode	Radio transmission mode (compatible with Canon E-TTL II, Nikon i-TTL, Sony, Olympus, Panasonic and FUJIFILM).
Flash Mode	M/Multi: Wireless off TTL/M/Multi: Slave unit of radio transmission
Guide No. (m ISO 100)	87 (m ISO 100, with high-efficiency standard reflector)
Flash Duration	1/220 to 1/10100 seconds
POWER	600Ws
Power Output	9 steps: 1/256~1/1
Stroboscopic Flash	Provided (up to 100 times, 100Hz)
Flash Exposure Compensation (FEC)	Manual. Feb: ±3 stops in 1/3 stop increments
Sync mode	High-speed sync (up to 1/8000 seconds), first-curtain sync,  and second-curtain sync
Delay Flash	0.01-30 Seconds
Mask	Yes
Fan	Yes
Beeper	Yes
Modeling Lamp (LED)	38W/4800K/TLIC: 93
Optical Slave Flash	S1/S2
Flash Duration Indication	Yes
Display	Dot-matrix panel
Wireless Flash Function	Slave, Off
Controllable Slave Groups	5 (A, B, C, D, E)
Transmission Range (approx.)	100m
Channels 32 (1-32)	32 (1-32)
Wireless ID	To avoid signal interference effectively, triggering can only  be achieved when the channels and wireless IDs of the  master and slave unit are set to the same.
Power Supply	Lithium battery pack (28.8V/2600mAh)
Full Power Flashes	360
Recycle Time	Approx. 0.01-0.95
Battery Indicator	Yes
Power Indication	Power off automatically after approx. 30-120 minutes of idle operation
Sync Triggering Mode	3.5mm sync line, wireless control port
Color Temperature	5600±200K
Stable Color Temperature Mode	Changes within 375K in entire power range
Dimension (with battery)	250x245x125 mm (flash tube & reflector not included)
Net Weight (with battery)	3 Kg (flash tube & reflector not included)

AD1200Pro

Hinted at in late 2019, and officially announced just at the start of this year, the latest addition to the professional Godox flash range, the AD1200Pro, is a super high-powered portable studio light that places the brand firmly in the major league of lighting manufacturers. These lights promise to be a game-changer for photographers seeking a mobile solution for high-output flash at a price well below that of any similar products from Broncolor, Profoto, and Elinchrom etc.

But it’s not just the combination of high flash potency and a bargain price that is generating so much excitement around the AD1200Pro. Coming in a sturdy outer shell, with rubberized protection on all corners, and boasting chunky and solid-looking controls, by any standards these are exceptionally durable and well-built lights. Clearly more than capable of withstanding the rigors of daily use on location.

And while 10 years ago we might have had some reservations about the slightly fragile-looking connections between pack and head that Godox used on some of their portable lighting kits, the AD1200Pro sees the brand opting for a very reassuring looking Elinchrom-style socket for the power cable; no more fussy pin-formations or flimsy connections here.



Even putting build quality aside, though, these simply look to be extremely impressive kits. Not to mention powerful; partly in terms of their 1200 Watt output, but also in the impressive array of features they pack under the hood. For a start, the AD1200Pro is compatible with the TTL systems of several camera manufacturers, including Canon, Fujifilm, Nikon, Olympus, Panasonic, and Sony. Then of course there is Godox’s fantastic 2.4 GHz wireless trigger system, offering five controllable slave groups and 32 channels, and rated to work over distances of up to 100 meters/328 feet.

Featuring bright 40 Watt LED modeling lights, High-Speed Sync with shutter speeds of up to 1/8000, and Godox’s Stable Colour Temperature mode, these lights are set to become the default portable studio system for professionals and serious enthusiasts alike. There’s also a Stroboscopic Mode that permits firing off 100 consecutive high-speed flashes at 1/16 power; great for capturing fast action sequences. 

The units run on portable Lithium-Ion batteries, or can be powered directly from the mains while charging. A full battery will provide you with a highly impressive 500 full-power flashes, with recycling times of two seconds at maximum output. Finally, the AD1200Pro is compatible with an enormous range of light modifiers via the popular Bowen’s type mount.

Model	AD1200Pro
Maximum Power	1200 Ws
Guide Number	406.82' / 124 m at ISO100
Flash Duration	t.1: 1/10,860 to 1/220 Sec
Color Temperature	5600K ± 200K
Exposure Control	Manual
Flash Modes	Hi-Speed Sync, Second-Curtain Sync, Slow Sync, Stroboscopic
Flash Ready Indicator	Audio
Reflector	Changeable
Accessory Fitting Type	Bowens S Type
Replaceable Flashtube	Yes
Type	LED
Wattage	40 W
Sync Type	Button, Cable, Optical, Radio
Sync Speed	1/8000 Sec (High-Speed)
Wireless Channels	32
Wireless Groups	5
Wireless Range	328.1' / 100 m (Radio)
Interface	Mini (1/8")
Delay Range	0.01 to 30 Sec
Mounting	5/8" Receiver
Fan Cooled	Yes
Circuit Protection	None
Dimensions	9.06 x 7.87 x 4.92" / 23 x 20 x 12.5 cm (with Reflector)
Weight	18.19 lb / 8.25 kg
Package Weight	31.585 lb
Box Dimensions (LxWxH)	22.5 x 14.8 x 12"

Studio Flash Strobes

Although one of Godox’s most notable innovations has been to bring high-quality battery-powered strobes to the market at affordable prices, the brand also has a long history of producing great quality mains-powered studio lighting. True, many of Godox’s portable strobe units will also run off the mains, meaning that they can easily double up as studio lights if required. However, for anyone who shoots exclusively indoors and close to a mains power supply, there would be nothing to gain by buying portable lights. On the contrary, as battery-powered lights invariably come at a higher purchase price, and typically offer slower recycling times, to those who do not value mobility they offer only disadvantages. 

In this case, it would clearly make much more sense to buy dedicated studio strobes and be done with it. Thankfully Godox offers a truly impressive range in this department, too. Here we provide a thorough run-down of the various types of studio flash that Godox currently manufactures.

GS200II / GS300II / GS400II

The Godox GS, or “Gemini”, series of lights share many of the outstanding features of the brand’s portable lighting units, but in a package that is better suited to studio work - and usually cheaper than its battery-powered equivalent too. This means that you get the convenience of Godox’s excellent built-in 2.4GHz wireless triggering capabilities; 50 steps of flash output (from 1/32 to 1/1); an adjustable 150W modeling lamp;  and a recycling time of 1.2 seconds when used at full power (dropping right down to 0.3 seconds when working at the lowest output setting). The GS series also benefits from compatibility with an enormous range of light-shaping accessories via a Bowen’s mount.

Model	GS200II	GS300II	GS400II
Maximum Power	200 Ws	300 Ws	400 Ws
Guide Number	161' / 49 m at ISO100	190' / 58 m at ISO100	213' / 65 m at ISO100
Flash Duration	1/2000 to 1/800 Sec	1/2000 to 1/800 Sec	1/2000 to 1/800 Sec
Recycle Time	0.3 to 1.5 Sec ()	0.3 to 1.5 Sec ()	0.3 to 1.5 Sec ()
Color Temperature	5600K ± 200K	5600K ± 200K	5600K ± 200K
Flash Ready Indicator	Audio, Visual	Audio, Visual	Audio, Visual
Accessory Fitting Type	Bowens S Type	Bowens S Type	Bowens S Type
Type	Tungsten	Tungsten	Tungsten
Wattage	150 W	150 W	150 W
Control Modes	Free Set, Off, Proportional	Free Set, Off, Proportional	Free Set, Off, Proportional
Sync Type	Button, Cable, Optical, Radio	Button, Cable, Optical, Radio	Button, Cable, Optical, Radio
Wireless Frequency Bands	2.4 GHz	2.4 GHz	2.4 GHz
Wireless Channels / Groups	32 / 16	32 / 16	32 / 16
Sync Voltage	5 V	5 V	5 V
AC Input Voltage	110 to 120 VAC, 60 Hz	110 to 120 VAC, 60 Hz	110 to 120 VAC, 60 Hz
Current	8 A (Operating)	8 A (Operating)	8 A (Operating)
Fuse	5 A	5 A	5 A
Display	None	None	None
Dimensions	H: 8.6 x W: 4.5 x L: 13.4" / H: 21.9 x W: 11.4 x L: 34.0 cm, Including Cap and Handle	H: 8.6 x W: 4.5 x L: 13.4" / H: 21.9 x W: 11.4 x L: 34.0 cm, Including Cap and Handle	H: 8.6 x W: 4.5 x L: 13.4" / H: 21.9 x W: 11.4 x L: 34.0 cm, Including Cap and Handle
Weight	4.4 lb / 2.0 kg	4.5 lb / 2.05 kg	4.6 lb / 2.1 kg
Package Weight	8.18 lb	8.355 lb	8.5 lb
Box Dimensions (LxWxH)	17.5 x 10.7 x 8.4"	17.8 x 10.7 x 8.4"	17.6 x 10.7 x 8.7"

DS300II / DS400II

A small and lightweight pair of studio strobes from Godox, the DSII series will suit those working in smaller home-studio spaces on a variety of photographic genres; from still life, product, and jewellery photography, to intimate portraiture, headshots, commercial, and e-commerce work. Alternatively, when combined with other more powerful units in the Godox studio strobe range, the DS models become excellent fill or kicker lights.

Although the first DS lights lacked built-in wireless receivers, the most recent MK II versions of these strobes come with full 2.4GHz capability. A stepless adjustable 150W modeling lamp makes the lights easy to set up, and once again you gain full control over the end results via the extensive range of light modifiers made available by the inclusion of a Bowen’s mount.

Model	DS300II	DS400II
Maximum Power	300 Ws	400 Ws
Power Control	5 Stops in 1/10-Stop Increments	5 Stops in 1/10-Stop Increments
Guide Number	190' / 58 m at ISO100	213.25' / 65 m at ISO100
Flash Duration	1/2000 to 1/800 Sec	1/2000 to 1/800 Sec
Recycle Time	0.3 to 1.0 Sec ()	0.3 to 1.0 Sec ()
Color Temperature	5600K ± 200K	5600K ± 200K
Flash Ready Indicator	Audio, Visual	Audio, Visual
Accessory Fitting Type	Bowens S Type	Bowens S Type
Type	Tungsten	Tungsten
Wattage	150 W	150 W
Control Modes	Free Set	Free Set
Sync Type	Button, Cable, Optical, Radio	Button, Cable, Optical, Radio
Wireless Frequency Bands	2.4 GHz	2.4 GHz
AC Input Voltage	100 to 120 VAC, 60 Hz	100 to 120 VAC, 60 Hz
Circuit Protection	Fuse	Fuse
Display	None	None
Package Weight	7.85 lb	8.06 lb
Box Dimensions (LxWxH)	17.7 x 10.7 x 8.4"	17.3 x 10.7 x 8.5"

 

SK300II / SK400II

Similar to the DS series (above) the SK lights are a small and lightweight solution for those shooting portraits, e-commerce, and product photography in a relatively small space.



What the SK300II and SK400II offer in the way of advantage over the DS lights is largely in terms of output stability, with Godox claiming consistency of within 2% when used on the same power source. Again, the MK II iteration of these lights offers 2.4 GHz wireless triggering. 

Model	SK300II	SK400II
Maximum Power	300 Ws	400 Ws
Guide Number	190' / 58 m at ISO100	213' / 65 m at ISO100
Flash Duration	1/2000 to 1/800 Sec	1/2000 to 1/800 Sec
Recycle Time	0.4 to 2.5 Sec ()	0.4 to 3 Sec ()
Color Temperature	5600K ± 200K	5600K ± 200K
Flash Ready Indicator	Audio, Visual	Audio, Visual
Reflector	Changeable	Changeable
Accessory Fitting Type	Bowens S Type	Bowens S Type
Type	Tungsten	Tungsten
Wattage	150 W	150 W
Control Modes	Free Set, Off, Proportional	Free Set, Off, Proportional
Sync Type	Button, Cable, Optical, Radio	Button, Cable, Optical, Radio
Wireless Frequency Bands	2.4 GHz	2.4 GHz
Wireless Channels / Groups	32 / 16	32 / 16
AC Input Voltage	100 to 120 VAC, 60 Hz	100 to 120 VAC, 60 Hz
Fuse	5 A	5 A
Display	LCD	LCD
Fan Cooled	No	No
Dimensions	H: 8.1 x W: 5.0 x L: 13.4" / H: 20.6 x W: 12.7 x L: 13.4 cm, Including Handle and Modeling Light	H: 9.1 x W: 5.0 x L: 15.0" / H: 23.2 x W: 12.7 x L: 38.0 cm, Including Handle and Modeling Light
Weight	4.2 lb / 1.9 kg	4.6 lb / 2.1 kg
Package Weight	7.755 lb	8 lb
Box Dimensions (LxWxH)	17.7 x 10.6 x 8.8"	17.5 x 10.6 x 8.8"

MS200 / MS300

Highly compact and portable, the MS series of studio flashes are well suited to use as primary lights in a small roving e-commerce lighting setup, or as fill-flashes in a larger pro-studio scenario. Featuring onboard 2.4 GHz wireless, the MS studio strobes are designed to either work as a standalone lighting solution or integrate seamlessly into your existing Godox lighting system and will work with the XT-16, X1, X2, and XPro triggers.

Both the MS 200 and MS 300 feature a built-in, adjustable 150W modeling light and are compatible with Bowen’s mount accessories. Output stability is excellent, making them a strong choice for use when consistency between images (say for e-commerce listings) is a priority. 

Model	MS200	MS300
Maximum Power	200 Ws	300 Ws
Guide Number	173.88' / 53 m at ISO100	190' / 58 m at ISO100
Flash Duration	1/2000 to 1/800 Sec	1/2000 to 1/800 Sec
Recycle Time	0.1 to 1.8 Sec ()	0.1 to 1.8 Sec ()
Color Temperature	5600K ± 200K	5600K ± 200K
Flash Ready Indicator	Audio, Visual	Audio, Visual
Reflector	Changeable	Changeable
Accessory Fitting Type	Bowens S Type	Bowens S Type
Type	Tungsten	Tungsten
Wattage	150 W	150 W
Control Modes	Independent	Independent
Sync Type	Button, Cable, Optical, Radio	Button, Cable, Optical, Radio
Wireless Channels / Groups	32 / 16	32 / 16
AC Input Voltage	100 to 120 VAC, 60 Hz	100 to 120 VAC, 60 Hz
Circuit Protection	Fuse	Fuse
Display	LCD	LCD
Mount	5/8" / 16 mm Receptacle	5/8" / 16 mm Receptacle
Fan Cooled	No	No
Dimensions	H: 11.1 x W: 5.0 x L: 5.0" / H: 28.3 x W: 12.6 x L: 12.7 cm, Including Handle and Modeling Light	H: 11.1 x W: 5.0 x L: 5.0" / H: 28.3 x W: 12.6 x L: 12.7 cm, Including Handle and Modeling Light
Weight	5.73 lb / 2.6 kg	5.73 lb / 2.6 kg
Package Weight	5.23 lb	5.4 lb
Box Dimensions (LxWxH)	12.5 x 9.4 x 7.8"	12.4 x 9.3 x 7.8"

DP400III / DP600III / DP800III / DP1000III 

The DPIII series of studio flashes from Godox is clearly made with the hardworking professional in mind. Robust, stylishly designed, and boasting a clear and easy to use UI, these are fantastic strobe lights that deserve a place in any studio. Accurate daylight-balanced output and a consistent output seal their pro-credentials.

Featuring built-in 2.4 GHz wireless that is compatible with Godox’s excellent X-series of radio transmitters, the professionally-focused DPIII series of lights comes with 99 wireless ID settings so as to reduce the risk of interference from other triggers. This makes these lights the ideal choice to use in a multi-studio complex, as it eliminates the possibility that photographers working in adjacent studios may cause cross-firing of lights.

At just 1 second between flashes on full power, recycling times are plenty fast enough for all but the most high-speed of photography jobs. The 150W modeling light is adjustable in percentages, and flash output in 61 steps; from 1/64 to 1/1. A Bowen’s mount adapter completes the package.

Model	DP400III	DP600III	DP800III	DP1000III
Max Power (Ws)	400Ws	600Ws	800Ws	1000Ws
Guide Number(m ISO 100)	65	80	88	92
Color Temperature	5600±200K	5600±200K	5600±200K	5600±200K
Operating Voltage	100-120V~50/60Hz or 200-240V~50/60Hz	100-120V~50/60Hz or 200-240V~50/60Hz	100-120V~50/60Hz or 200-240V~50/60Hz	100-120V~50/60Hz or 200-240V~50/60Hz
Power Output Control	OFF, 4.0~10.0 (1/64-1/1)	OFF, 4.0~10.0 (1/64-1/1)	OFF, 4.0~10.0 (1/64-1/1)	OFF, 4.0~10.0 (1/64-1/1)
Modeling Lamp (W)	150W	150W	150W	150W
Triggering Method	Sync cord, Test button, Slave triggering, Wireless control port	Sync cord, Test button, Slave triggering, Wireless control port	Sync cord, Test button, Slave triggering, Wireless control port	Sync cord, Test button, Slave triggering, Wireless control port
Flash Duration	1/2000-1/800s	1/2000-1/800s	1/2000-1/800s	1/2000-1/800s
Parameters Output from the Sync Cord Jack	5V	5V	5V	5V
Parameters Output from the USB Port	5V/200mA (only for Godox receiver)	5V/200mA (only for Godox receiver)	5V/200mA (only for Godox receiver)	5V/200mA (only for Godox receiver)
Fuse	5A	8A	8A	8A
Recycle Time	1s	1s	1s	1s
Dimension	Flash diameter 12.5CM, height of flash with handle 21.5CM, length of flash with lamp cover 42CM	Flash diameter 12.5CM, height of flash with handle 21.5CM, length of flash with lamp cover 42CM	Flash diameter 12.5CM, height of flash with handle 21.5CM, length of flash with lamp cover 47.5CM	Flash diameter 12.5CM, height of flash with handle 21.5CM, length of flash with lamp cover 47.5CM
Net Weight (Approx.)	2.54kg	2.69kg	3.2kg	3.3kg

 

QS400II / QS600II / QS800II / QS1200II 

Godox pride themselves on the high build quality and reliability of the QS flash system. And while the QS units lack the hi-speed flash capabilities of the top-of-the-range QT series (below), they aren’t far behind; either in terms of quality or features.

As with many of the other Godox studio flash units we’ve looked at here, The QS series of lights come with built-in 2.4 GHz for remote TTL shooting using Godox’s powerful range of triggers and wireless-equipped flashguns. Naturally, for those who prefer to keep things simple, the units also feature optical slave capabilities. 

QS lights are well designed and easy to use, featuring a clear LCD and a bank of intuitive buttons, knobs, and switches. Multi-function buttons add to the depth of user control. 

The QS series includes four different models, ranging from 400 watts through to an impressive 1200W unit for when a much bigger “pop” is required. Power on all the QS models is adjustable by 50 steps (1/32 to 1/1) in 0.1 increments, and recycling times range between 0.3 and 1.5 seconds at the minimum and maximum output settings respectively. 

The 150W modeling lamp can either be set to increase or decrease in power to the same degree as the flash - giving you a fairly accurate indication of the results you can expect when the strobes fire - or can be adjusted independently of flash output, from 5% through to 100%.

QS400II Technical Specifications

Model	QS400II
Maximum Power	400 Ws
Power Control	6 Stops in 1/10-Stop Increments
Guide Number	213' / 65 m at ISO100
Flash Duration	1/2000 to 1/800 Sec
Recycle Time	0.3 to 1.5 Sec ()
Color Temperature	5600K ± 200K
Flash Ready Indicator	Audio
Reflector	Changeable
Accessory Fitting Type	Bowens S Type
Type	Tungsten
Wattage	150 W
Control Modes	Free Set, Off, Proportional
Sync Type	Button, Cable, Optical, Radio
Wireless Frequency Bands	2.4 GHz
Wireless Channels / Groups	32 / 16
AC Input Voltage	100 to 120 VAC, 60 Hz
Fuse	5 A
Display	None
Fan Cooled	No
Dimensions	H: 10.2 x W: 5.5 x L: 16.1" / H: 26.0 x W: 14.0 x L: 41.0 cm, Including Cap and Handle
Weight	6.0 lb / 2.75 kg
Package Weight	10.15 lb
Box Dimensions (LxWxH)	18.7 x 10.9 x 8.6"

QS600II Technical Specifications

Model	QS600II
Maximum Power	600 Ws
Power Control	6 Stops in 1/10-Stop Increments
Guide Number	249' / 76 m at ISO100 with Reflector
Flash Duration	1/2000 to 1/800 Sec
Recycle Time	0.3 to 1.5 Sec ()
Color Temperature	5600K ± 200K
Flash Ready Indicator	Audio
Reflector	Changeable
Accessory Fitting Type	Bowens S Type
Type	Tungsten
Wattage	150 W
Control Modes	Free Set, Off, Proportional
Sync Type	Button, Cable, Optical, Radio
Wireless Frequency Bands	2.4 GHz
Wireless Channels / Groups	32 / 16
AC Input Voltage	100 to 120 VAC, 60 Hz
Fuse	8 A
Display	None
Fan Cooled	No
Dimensions	H: 10.2 x W: 5.5 x L: 20.1" / H: 26.0 x W: 14.0 x L: 51.1 cm, Including Cap and Handle
Weight	6.4 lb / 2.9 kg
Package Weight	10.9 lb
Box Dimensions (LxWxH)	18.7 x 10.9 x 8.9"

QS800II Technical Specifications

Model	QS800II
Maximum Power	800 Ws
Power Control	6 Stops in 1/10-Stop Increments
Guide Number	295' / 90 m at ISO100
Flash Duration	1/2000 to 1/800 Sec
Recycle Time	0.3 to 1.5 Sec ()
Color Temperature	5600K ± 200K
Flash Ready Indicator	Audio
Reflector	Changeable
Accessory Fitting Type	Bowens S Type
Type	Tungsten
Wattage	150 W
Control Modes	Free Set, Off, Proportional
Sync Type	Button, Cable, Optical, Radio
Wireless Frequency Bands	2.4 GHz
Wireless Channels / Groups	32 / 16
AC Input Voltage	100 to 120 VAC, 60 Hz
Fuse	8 A
Display	None
Fan Cooled	No
Dimensions	H: 10.2 x W: 5.5 x L: 20.1" / H: 26.0 x W: 14.0 x L: 51.1 cm, Including Cap and Handle
Weight	8.6 lb / 3.9 kg
Package Weight	12.9 lb
Box Dimensions (LxWxH)	22.8 x 10.9 x 8.8"

QS1200II Technical Specifications

Model	QS1200II
Maximum Power	1200 Ws
Power Control	6 Stops in 1/10-Stop Increments
Guide Number	361' / 110 m at ISO100
Flash Duration	1/2000 to 1/800 Sec
Recycle Time	0.3 to 1.5 Sec ()
Color Temperature	5600K ± 200K
Flash Ready Indicator	Audio
Reflector	Changeable
Accessory Fitting Type	Bowens S Type
Type	Tungsten
Wattage	150 W
Control Modes	Free Set, Off, Proportional
Sync Type	Button, Cable, Optical, Radio
Wireless Frequency Bands	2.4 GHz
Wireless Channels / Groups	32 / 16
AC Input Voltage	100 to 120 VAC, 60 Hz
Fuse	10 A
Display	None
Fan Cooled	No
Dimensions	H: 10.2 x W: 5.5 x L: 20.1" / H: 26.0 x W: 14.0 x L: 51.1 cm, Including Cap and Handle
Weight	9.5 lb / 4.3 kg
Package Weight	14.05 lb
Box Dimensions (LxWxH)	22.4 x 11 x 8.8"

QT400II / QT600II / QT1200II 

Building on the impressive specs of the QS line, Godox’s QT series currently represents the pinnacle of the brand’s mains-powered studio lighting system. Not least of which because they now bring added high-speed sync capabilities to the game. Indeed, the models in the QT range boast the fastest recycling times (0.05 - 0.09s) and shortest flash durations of all the Godox studio lights, making them ideal for freezing action. There’s also a “masking mode” that will be of particular interest to still life and product photographers, as it fires multiple strobes one by one over a succession of shots, making it easier to comp certain elements out of (or into) an image at the post-production stage.

However, beyond the advantages offered to those interested in high-speed photography, the QT series is otherwise largely comparable to the already very good QS system. Indeed, you’ll find all the regular Godox flash features here, from built-in 2.4 GHz wireless to a fully adjustable 150-watt modeling lamp. Finally, the controls on the rear panel are logically laid out in a manner similar to the QS units.
 

QT400IIM Technical Specifications

Model	QT400II
Maximum Power	400 Ws
Power Control	6 Stops in 1/10-Stop Increments
Guide Number	213' / 65 m at ISO100
Flash Duration	t.1: 1/22,988 to 1/192 Sec
Recycle Time	0.3 to 1.5 Sec ()
Color Temperature	0.05 to 0.7 Sec ()
Flash Ready Indicator	Audio
Reflector	Changeable
Accessory Fitting Type	Bowens S Type
Type	Tungsten
Wattage	150 W
Control Modes	Free Set, Off, Proportional
Sync Type	Button, Cable, Optical, Radio
Wireless Frequency Bands	2.4 GHz
Wireless Channels / Groups	32 / 16
Wireless Range	164' / 50 m (Radio)
Interface	1/4" Sync
Delay Range	0.01 to 30 Sec
AC Input Voltage	100 to 120 VAC, 60 Hz
Fuse	5 A
Display	LCD
Fan Cooled	Yes
Dimensions	H: 9.0 x W: 5.5 x L: 16.0" / H: 23.0 x W: 14.0 x L: 41.0 cm, Including Cap and Handle
Weight	6.5 lb / 2.96 kg
Package Weight	10.55 lb
Box Dimensions (LxWxH)	18.7 x 10.8 x 8.8"

Q600IIM Technical Specifications

Model	QT600IIM
Maximum Power	600 Ws
Guide Number	249' / 76 m at ISO100 with Reflector
Flash Duration	t.1: 1/19,696 to 1/190 Sec
Recycle Time	0.05 to 0.9 Sec ()
Color Temperature	5600K ± 200K
Flash Ready Indicator	Audio
Reflector	Changeable
Accessory Fitting Type	Bowens S Type
Type	Tungsten
Wattage	150 W
Sync Type	Button, Cable, Radio
Sync Speed	1/1/8000 Sec (High-Speed)
Wireless Frequency Bands	2.4 GHz
Wireless Channels / Groups	32 / 16
Wireless Range	164' / 50 m (Radio)
Interface	1/4" Sync
Delay Range	0.01 to 30 Sec
AC Input Voltage	110 VAC, 60 Hz
Display	LCD
Fan Cooled	Yes
Dimensions	H: 9.0 x W: 5.5 x L: 16.0" / H: 23.0 x W: 14.0 x L: 41.0 cm, Including Cap and Handle
Weight	6.5 lb / 2.96 kg
Package Weight	11.2 lb
Box Dimensions (LxWxH)	18.7 x 10.9 x 8.7"

Q1200IIM Technical Specifications

Model	QT1200IIM
Maximum Power	1200 Ws
Guide Number	335' / 102 m at ISO100 with Reflector
Flash Duration	t.1: 1/14,814 to 1/180 Sec
Recycle Time	0.05 to 0.9 Sec ()
Color Temperature	5600K ± 200K
Flash Ready Indicator	Audio
Reflector	Changeable
Accessory Fitting Type	Bowens S Type
Type	Tungsten
Wattage	150 W
Sync Type	Button, Cable, Radio
Sync Speed	1/1/8000 Sec (High-Speed)
Wireless Frequency Bands	2.4 GHz
Wireless Channels / Groups	32 / 16
Wireless Range	164' / 50 m (Radio)
Interface	1/4" Sync
Delay Range	0.01 to 30 Sec
AC Input Voltage	110 VAC, 60 Hz
Display	LCD
Fan Cooled	Yes
Dimensions	H: 10.2 x W: 5.5 x L: 19.7" / H: 26.0 x W: 14.0 x L: 50.0 cm, Including Cap and Handle
Weight	9.4 lb / 4.26 kg
Package Weight	14.35 lb
Box Dimensions (LxWxH)	23 x 11x 9"

 

Hybrid Lighting

Hybrid lighting is a relatively new concept combining the advantages of both continuous LED and flash lighting in a single unit. Instead of employing traditional flash technology, these lights use LED panels for both continuous and flash operation, “overcharging” the LEDs to provide a brief burst of higher-powered output for flash-style stills photography.

Why would you want such a thing? Well, imagine that you’re shooting video but also need to produce a few stills or vice versa. Just a couple of years ago, this would either have meant making-do and shooting your stills using the continuous lights - with all the technical compromises and risks that entails - or wasting a lot of time setting up 2 sets of lights for a single shot. Not anymore; now you light the scene once, and can seamlessly switch back and forth between flash and continuous shooting without needing to make any changes to the lighting.

Hybrid lights come with both advantages and disadvantages. Where they win out over traditional flash units is when it comes to recycling times and HSS. However, here improved speed comes with a compromise in terms of output power, so don’t expect to be shooting at f/22 on 100 ISO as you might with a regular studio strobe.

FV150 / FV200

The Godox FV150 and FV200 are the brand’s first forays into producing hybrid LED flash systems. Daylight-balanced, offering amazing colour stability, and delivering a very accurate output range, these units function like regular mains-powered studio lights for both videos and stills photography; actually outperforming much more powerful LEDs from competing brands. But now switch over to flash operation, and these units perform almost as equally well, with the 400% overcharge providing a flash output that is almost 2 stops brighter than the continuous LED. In most cases, this will be just enough to freeze action.



Given that LED flashes are always lower-powered than traditional strobe systems, it makes sense to go for the highest-powered unit you can find. That being the case, clearly, the FV200 will be the most useful of the 2 models here.

Model	FV150	FV200
Colour Temperature	5600± 200K	5600± 200K
Colour Accuracy Standard	CRI 96  TLCI 95	CRI 96  TLCI 95
Cooling System	Passive	Passive
Dimming	Yes, 0 to 100%	Yes, 0 to 100%
Display	LCD	LCD
Photometrics	5600K  39,370.1 fc /12,000 LUX at 1m	5600K  59,055.1 fc /18,000 LUX at 1m
Fixture Dimensions	34cm x 20cm x 16cm	36.7xm x 20cm x 16cm
Fixture Weight	3.13kg	3.33kg
Reflector Mount	Bowens S-Type	Bowens S-Type
Fixture Mount	⅝” Receiver	⅝” Receiver
Yoke Type	Yoke/Bracket	Yoke/Bracket
Remote Control	Wi-Fi	Wi-Fi
Wireless Channels/Groups	32/16	32/16
AC Input Power	100 to 240 VAC, 50/60Hz	100 to 240 VAC, 50/60Hz
Power Source	AC Adaptor	AC Adaptor
Max Power Consumption	150W	200W
Operating Temperature	-10 to 45°C	-10 to 45°C

Continuous Lighting

Powerful, flicker-free, daylight-balanced movie lighting used to cost a small fortune; forcing amateurs everywhere to raid garden centers and DIY stores in search of more affordable options. Not anymore. 

As with flash gear, the options available for photographers and videographers working with continuous lighting have evolved massively in recent years, largely due to the increasing sophistication and affordability of LED technology. Now brands such as Godox have brought a range of bright and versatile continuous lighting to the market, making it easier and cheaper than ever to put together a comprehensive continuous lighting rig for either filmmaking or stills work.

Godox R1

Godox R1 is a round, palm-sized portable LED light that can be set to any colour on the RGB scale you wish. The unit itself is magnetic, allowing you to attach it to metal surfaces without the need for a lighting stand (although it has a thread for this too). The R1 can also be used with the brand’s range of magnetic modifiers, further adding to the light’s versatility.

The R1’s built-in rechargeable lithium battery will keep it shining on full power for about 90 minutes of continuous use. The controls are super easy to use; a combination of button and dial operation allowing quick changes to output, colour temperature, and other features.



Speaking of “other features”, photographic equipment that comes with a range of built-in “effects” usually rings alarm bells; invariably promising a bunch of tacky and unusable gimmicks. But surprisingly, many of the effects built into the R1 are actually pretty good, and will likely be of genuine interest to filmmakers and videographers; from the flickering glow of candlelight to a TV screen, cop car, fireworks, or a faulty neon tube. You can even set the R1 to pulsate in time with the rhythm of music (or, more annoyingly, your voice).

Creative photographers and filmmakers will no doubt come up with a million uses for a small and flexible LED light such as this. Indeed everyone should keep a couple of R1s in their camera bag just for throwing a little light into the background or foreground of a shot. On bigger productions, however, where more complicated and luxurious lighting setups may be required, a dozen or so R1s would be a fantastic way of building up subtle, atmospheric lighting across an entire set.

Model	R1
Color Adjustment	Hue: 0 to 100 Color Saturation: 0 to 100
Brightness	0 to 100% 100% Light Brightness (LUX at 1.6' / 0.5 m): 605
Color Temperature	2500K to 8500K
CRI / TLCI	CRI: 98 TLCI: 97
Battery	Lithium 1800 mAh
Battery Life	Up to 1.5 Hours
Charging Port	USB Type-C
Power Input	5 V / 1 A or 5 V / 2 A (Maximum 5 W)
Operating Temperature	14 to 104°F / -10 to 40°C
Dimensions (Diam. x H)	3.0 x 0.9" / 7.5 x 2.3 cm
Weight	5.3 oz / 150.0 g
Package Weight	0.84 lb
Box Dimensions (LxWxH)	4.7 x 4.6 x 3"

S30

The Godox S30 is a sturdily-built daylight-balanced LED video light. Running off the mains, the S30 gives out 30 Watts of attractive lighting. However, the S30 can also be used as a portable lighting unit, either via a USB power-bank or coupled with a separate Lithium-ion battery. At which point it will provide a reduced output of 10 Watts.



Simple to use and featuring minimal controls - essentially just for altering power and focus - the S30 really comes into its own when combined with Godox’s wide range of compatible light modifiers and accessories (below). Encompassing everything from the SA-08 barndoor set and SA-P Projection Attachment, through to colour gels and a Gobo set, it’s these accessories that will permit talented photographers and DoPs to get the stunning and sophisticated lighting results they need.

Model	S30 Focusing LED Light
Power Supply Options	DC adapter:15V/4A Power: 30W Li-ion battery (Sony NP-F970/F950/F930): 7.4V Power: 10W Power bank with a USB cable: 5V/2A Power: 10W
Color Temperature	5600±150K
15V/4A Adapter	Spot (Central Area)=11300
100% Illuminance(LUX) (1m, dark room)	Flood (Central Area)=2800
Photometric Data(-)	6° at 5600K: 1049.8 fc / 11,300 lux at 3.28' / 1 m 55° at 5600K: 260.1 fc / 2800 lux at 3.28' / 1 m
Color Rendering Index	> 96
TLCI(Qa)	> 96
Light Brightness Range	10%~100%
Beam Angle	6° to 55°
Operation Temperature	-10°C~50°C
Safe Temperature	> 70°C
Dimension	215x108x100 mm
Net Weight	907g

SL60 / SL100 / SL150 / SL200

The SL series of LEDs presents an efficient and affordable solution for photographers and filmmakers looking for rugged AC-powered video lights for daily use. Available as either tungsten or daylight-balanced options, the SLs can be dimmed from 10-100%, either via the unit’s rear controls or by means of the bundled wireless remote. Multiple lights can be grouped for simultaneous control.

SL60 Technical Specifications

Video Light	White Version SL-60W	Yellow Version SL-60Y
AC Power Supply	AC 100-240V 50/60Hz	AC 100-240V 50/60Hz
Channel	16	16
Group	6 groups (A, B, C, D, E, F)	6 groups(A, B, C, D, E, F)
Power	60W	60W
Color Temperature	5600K ± 200K	3300K±200K
100% Illuminance (LUX)	4100 (1m)	4100 (1m)
100% Luminous Flux	4500	4500
Color Rendering Index	>93	>93
TLCI(Qa)	>95	>95
R9	>80	>80
Light Brightness Range	10%-100%	10%-100%
Operation Temperature	-10-50C	-10-50C
Safe Temperature	<70'C	<70'C
Dimension	23x24x14cm (Not including the Lamp Cover)	23x24x14cm (Not including the Lamp Cover)
Net Weight	Approx. 1.61kg	Approx. 1.61kg

SL100 Technical Specifications

Video Light	White Version SL-100W	Yellow Version SL-100Y
AC Power Supply	AC 100-240V 50/60Hz	AC 100-240V 50/60Hz
Channel	16	16
Group	6 groups (A, B, C, D, E, F)	6 groups (A, B, C, D, E, F)
Power	100W	100W
Color Temperature	5600K ± 200K	3300K±200K
100% Illuminance (LUX)	6500 (1m)	6500 (1m)
100% Luminous Flux	13000	13000
Color Rendering Index	>93	>93
TLCI(Qa)	>95	>95
R9	>80	>80
Light Brightness Range	10%-100%	10%-100%
Operation Temperature	-10-50C	-10-50C
Safe Temperature	<70'C	<70'C
Dimension	34x23x13cm (Not including the Lamp Cover)	34x23x13cm (Not including the Lamp Cover)
Net Weight	Approx. 2.41kg	Approx. 2.41kg

SL150 Technical Specifications

Video Light	White Version SL-150W	Yellow Version SL-150Y
AC Power Supply	AC 100-240V 50/60Hz	AC 100-240V 50/60Hz
Channel	16	16
Group	6 groups (A, B, C, D, E, F)	6 groups (A, B, C, D, E, F)
Power	150W	150W
Color Temperature	5600K ± 200K	3300K±200K
100% Illuminance (LUX)	7200 (1m)	7200 (1m)
100% Luminous Flux	16000	16000
Color Rendering Index	>93	>93
TLCI(Qa)	>95	>95

SL200 Technical Specifications

Video Light	White Version SL-200W	Yellow Version SL-200Y
AC Power Supply	AC 100-240V 50/60Hz	AC 100-240V 50/60Hz
Channel	16	16
Group	6 groups (A, B, C, D, E, F)	6 groups (A, B, C, D, E, F)
Power	200W	200W
Color Temperature	5600K ± 200K	3300K±200K
100% Illuminance (LUX)	12000 (1m)	12000 (1m)
100% Luminous Flux	20000	20000
Color Rendering Index	>93	>93
TLCI(Qa)	>95	>95
R9	>80	>80
Light Brightness Range	10%-100%	10%-100%
Operation Temperature	-10-50C	-10-50C
Safe Temperature	<70'C	<70'C
Dimension	39x23x13cm (Not including the Lamp Cover)	39x23x13cm (Not including the Lamp Cover)
Net Weight	Approx. 3.16kg	Approx. 3.16kg

RC-A5 Technical Specifications

Remote Control	RC-A5
Power Supply	3.0V (AAA*2) (not include)
Wireless Frequency	433MHz
Distance (emptiness)	> 20m
Channel	16
Group	6 groups (A, B, C, D, E, F)
Standby Time	Over one year
Operation Temperature	-10-50 C
Dimension	120mm*38mm*15mm
Net weight	30g

FL60 / FL100 / FL150S / FL150R

Godox’s FL range of lights is essentially lightweight, flexible, LED-covered mats. Fold them, roll them, sculpt them, slide them into tight spaces; these pliable light-banks are capable of bringing illumination to even the most gloomy and forgotten nooks and crannies. Combine with a softbox and grid-set for an extremely slim soft-lighting solution, and then control output and colour temperature via one of Godox’s wireless triggers, or from the Godox app on your phone via Bluetooth.

Multiple units can be attached together, allowing you to build up an entire wall of light if necessary. Power comes either via a mains adapter or a portable Lithium battery; so the FlexLight range is as good for photography and video on location as it is for studio work.

FL60 Technical Specifications

Model	FL60
Color Temperature	3300 to 5600K ± 200K
Color Accuracy Standard	CRI 96 TLCI 98
Cooling System	Passive
Dimming	Yes, 10 to 100%
Photometrics	167.2 fc / 1800 lux at 3.28' / 1 m
Fixture Dimensions	Mat: 11.8 x 17.7" / 30.0 x 45.0 cm
Fixture Weight	6.33 lb / 2.87 kg
Battery Plate	1 x V-Mount
Fixture Mount	None
Remote Control Type	Bluetooth, Proprietary Wireless
Wireless Range	98.4' / 30 m
Wireless Channels / Groups	16 / 6
AC Input Power	100 to 240 VAC, 50 / 60 Hz
DC Input Power	16.8 VDC at 4.2 A
Power Source	AC Adapter, External Battery
Max Power Consumption	60 W

FL100 Technical Specifications

Model	FL100
Color Temperature	3300 to 5600K ± 200K
Color Accuracy Standard	CRI 96 TLCI 98
Cooling System	Passive
Dimming	Yes, 10 to 100%
Photometrics	306.6 fc / 3300 lux at 3.28' / 1 m
Fixture Dimensions	Mat: 15.8 x 23.6" / 40.0 x 60.0 cm
Fixture Weight	7.65 lb / 3.47 kg
Battery Plate	1 x V-Mount
Fixture Mount	None
Remote Control Type	Bluetooth, Proprietary Wireless
Wireless Range	98.4' / 30 m
Wireless Channels / Groups	16 / 6
AC Input Power	100 to 240 VAC, 50 / 60 Hz
DC Input Power	16.8 VDC at 7 A
Power Source	AC Adapter, External Battery
Max Power Consumption	100 W

 

FL150S Technical Specifications

Model	FL150S
Color Temperature	3300 to 5600K ± 200K
Color Accuracy Standard	CRI 96 TLCI 98
Cooling System	Passive
Dimming	Yes, 10 to 100%
Photometrics	399.5 fc / 4300 lux at 3.28' / 1 m
Fixture Dimensions	Mat: 23.6 x 23.6" / 60.0 x 60.0 cm
Fixture Weight	8.60 lb / 3.9 kg
Battery Plate	1 x V-Mount
Fixture Mount	None
Remote Control Type	Bluetooth, Proprietary Wireless
Wireless Range	98.4' / 30 m
Wireless Channels / Groups	16 / 6
AC Input Power	100 to 240 VAC, 50 / 60 Hz
DC Input Power	16.8 VDC at 10 A
Power Source	AC Adapter, External Battery
Max Power Consumption	150 W

FL150R Technical Specifications

Model	FL150R
Color Temperature	3300 to 5600K ± 200K
Color Accuracy Standard	CRI 96 TLCI 98
Cooling System	Passive
Dimming	Yes, 10 to 100%
Photometrics	399.5 fc / 4300 lux at 3.28' / 1 m
Fixture Dimensions	Mat: 11.8 x 47.2" / 30.0 x 120.0 cm
Fixture Weight	9.63 lb / 4.37 kg
Battery Plate	1 x V-Mount
Fixture Mount	None
Remote Control Type	Bluetooth, Proprietary Wireless
Wireless Range	98.4' / 30 m
Wireless Channels / Groups	16 / 6
AC Input Power	100 to 240 VAC, 50 / 60 Hz
DC Input Power	16.8 VDC at 10 A
Power Source	AC Adapter, External Battery
Max Power Consumption	150 W

SLB60

The SLB60 is a daylight-balanced, battery-powered LED that produces a very bright light and is super simple to use. Although the SLB60 is essentially a lightweight, portable version of the mains-powered SL60 (above), it actually comes in the same housing as the AD600 flash unit, and even uses the same Lithium battery and charger. This means that if you have already bought into the Godox flash system, you’ll be able to swap over your accessories. Better still, if any of your modifiers are Bowens-mount, then you’ll be pleased to learn that you will be able to use these with the SLB60 too. 

The SLB60  has its own extension head, in the form of the AD-H600, and can use the same AC adapter as the AD600BM/AD600B, the AD-AC.

Video Light	White Version SLB60W	Yellow Version SLB60Y
Lithium Battery	11.1V/8700mAH	11.1V/8700mAH
Battery duration (full power)	>60 minutes	>60 minutes
Channel	16	16
Group	6 groups (A, B, C, D, E, F)	6 groups (A, B, C, D, E, F)
Power	60W	60W
Color Temperature	5600K±200K	3300K±200K
100% Illuminance (LUX)	>4100 (1m)	>4100 (1m)
100% Luminous Flux	>4500	>4500
Color Rendering Index	⥸93	⥸93
R9	⥸80	⥸80
TLCI (Qa)	⥸95	⥸95
Light Brightness Range	10%~100%	10%~100%
Operation Temperature	-10~50C	-10~50C
Dimension	24.6x12x12.6cm (Not included the Lamp Cover)	24.6x12x12.6cm (Not included the Lamp Cover)
Net Weight	Approx. 2kg	Approx. 2kg

 

Remote Control	RC-A5
Power Supply	3.0V (AAA*2) (not include)
Wireless Frequency	433MHz
Distance (emptiness)	⥸20m
Channel	16
Group	6 groups (A, B, C, D, E, F)
Standby Time	Over one year
Operation Temperature	-10~50C
Dimension	120mm*38mm*15mm
Net Weight	30g

VL150 / VL200 / VL300

The VL series of daylight-balanced video lights comprise the top of the Godox continuous lighting range in terms of power. Making them serious tools for serious filmmakers. Reflecting this, the lights feature an exceptionally rugged design and are notable for a rotating yoke; making precise positioning of the lights a total breeze. 

Lightweight and compact, the VL series can be purchased at three different power levels, thus suiting a variety of needs; 150 W, 200 W, and 300 W. The units can be dimmed from 0%-100% at 1% increments - either using the bundled remote or via the Godox app. As with many other Godox products, the VL lights will take Bowens-mount accessories.

VL150 Technical Specifications

Model	VL150
Color Temperature	5600K ± 200K
Color Accuracy Standard	CRI 96 TLCI 95
Cooling System	Fan
Dimming	Yes, 0 to 100% (Continuous)
Display	LED
Photometrics	5600K: 5666.9 fc / 61,000 lux at 3.28' / 1 m
Fixture Dimensions	5.5 x 7.1 x 11.8" / 14.0 x 18.0 x 30.0 cm
Fixture Weight	3.95 lb / 1.79 kg
Battery Plate	1 x V-Mount
Power Input Connector	4-Pin XLR
Reflector Mount	Bowens S-Type
Yoke Mount	TVMP/ Hex Bolt
Fixture Mount	5/8" Receiver
Yoke Material	Metal
Yoke Type	Yoke/Bracket
Remote Control Type	Bluetooth, Proprietary Wireless
Wireless Channels / Groups	16 / 6
AC Input Power	110 to 240 VAC, 50 / 60 Hz
DC Input Power	16.8 VDC at 10 A
Power Source	AC Adapter, External Battery
Max Power Consumption	150 W
Power Pass-Thru	No
Power Supply Power Connector	IEC Input / 4-Pin XLR Output
Power Supply Dimensions	4.5 x 8.3 x 1.4" / 11.5 x 21.0 x 3.6 cm
Power Supply Weight	1.90 lb / 0.86 kg
Operating Temperature	14 to 104°F / -10 to 40°C
Package Weight	16.2 lb
Box Dimensions (LxWxH)	22.9 x 11.8 x 11.3"

VL200 Technical Specifications

Model	VL200
Color Temperature 5600K ± 200K	5600K ± 200K
Color Accuracy Standard	CRI 96 TLCI 95
Cooling System	Fan
Dimming	Yes, 0 to 100% (Continuous)
Display	LED
Photometrics	5600K: 6967.5 fc / 75,000 lux at 3.28' / 1 m
Fixture Dimensions	5.5 x 7.1 x 11.8" / 14.0 x 18.0 x 30.0 cm
Fixture Weight	4.92 lb / 2.23 kg
Battery Plate	2 x V-Mount
Power Input Connector	4-Pin XLR
Reflector Mount	Bowens S-Type
Yoke Mount	TVMP/ Hex Bolt
Fixture Mount	5/8" Receiver
Yoke Material	Metal
Yoke Type	Yoke/Bracket
Wireless Channels / Groups	16 / 6
AC Input Power	110 to 240 VAC, 50 / 60 Hz
DC Input Power	33 VDC at 7 A
Power Source	AC Adapter, External Battery
Max Power Consumption	200 W
Power Pass-Thru	No
Power Supply Power Connector	IEC Input / 4-Pin XLR Output
Power Supply Dimensions	4.5 x 15.0 x 1.4" / 11.5 x 38.0 x 3.6 cm
Power Supply Weight	2.62 lb / 1.19 kg
Operating Temperature	14 to 104°F / -10 to 40°C

VL300 Technical Specifications

Model	VL300
Color Temperature	5600K ± 200K
Color Accuracy Standard	CRI 96 TLCI 95
Cooling System	Fan
Dimming	Yes, 0 to 100% (Continuous)
Display	LED
Photometrics	5600K: 7153.3 fc / 77,000 lux at 3.28' / 1 m
Fixture Dimensions	5.5 x 7.1 x 11.8" / 14.0 x 18.0 x 30.0 cm
Fixture Weight	5.82 lb / 2.64 kg
Battery Plate	2 x V-Mount
Power Input Connector	4-Pin XLR
Reflector Mount	Bowens S-Type
Yoke Mount	TVMP/ Hex Bolt
Fixture Mount	5/8" Receiver
Yoke Material	Metal
Yoke Type	Yoke/Bracket
Remote Control Type	Bluetooth, Proprietary Wireless
Wireless Channels / Groups	16 / 6
AC Input Power	110 to 240 VAC, 50 / 60 Hz
DC Input Power	33 VDC at 10 A
Power Source	AC Adapter, External Battery
Max Power Consumption	300 W
Power Pass-Thru	No
Power Supply Power Connector	IEC Input / 4-Pin XLR Output
Power Supply Dimensions	4.5 x 15.0 x 1.4" / 11.5 x 38.0 x 3.6 cm
Power Supply Weight	2.78 lb / 1.26 kg
Operating Temperature	14 to 104°F / -10 to 40°C
Package Weight	20.72 lb
Box Dimensions (LxWxH)	23 x 11.8 x 11.3"

LC500 

The Godox LC500 is a powerful dual-colour light-stick that falls somewhere between Kino Flo’s classic range of tubular cinema lights and, well, a lightsaber. In practice, this means that it combines the ease of use of a Kino Flo LED bank - and its handy adjustable blinker system - with portable-power and a handle. 

The unit offers a daylight-balanced bank on one side, and tungsten on the other, making it effectively a two-in-one portable lighting solution without the need to pack cumbersome correction gels. However, keep in mind that although the output power of the LC500 is entirely adjustable, the Kelvin levels of the two sides are not. So you either get full daylight or full tungsten; but nothing in between. 

Model	LC500
Lithium Battery	2600 mAh Lithium Battery
DC Power Supply	14.8V
Channel	16
Group	6 Groups (A, B, C, D, E, F)
Power	Max. 18W
Colour Temperature	3300K~5600K±300K
Lux (100% Brightness)	1200(1m)
TLCI Index	≥95
CRI Index	>95
LED Beads Quantity	516
Operation Temperature	-5 - 50°C
Dimension	565x56x56mm
Net Weight	760g
Remote Control	RC-A5
Power Supply	3.0V (AAA x2) **not included
Wireless Frequency	433MHz
Distance (emptiness)	20m

Bright, lightweight, and very sturdy, the LC500 gives off twice the light of the similarly specced Westcott Icelight 2 at full power. The built-in battery takes under two and a half hours to reach full charge, and will then be good for powering the light at full output for nearly as long again.

The LC500’s barn doors are removable; either so you can place them on the other side of the unit, or simply use the light without them (when doing battle with “The Dark Side”, for example). As we’ve come to expect from Godox products, the LC500’s limited controls are adjustable via wireless remote. Meaning that once you’ve grown tired of playing Luke Skywalker, you can place the light on a stand and control it from a distance.

Transmitters

For older photographers who still remember the days of tripping over PC-Sync cords, just the fact that wireless trigger technology exists already looks like a minor miracle. For anyone else, remote triggering might be a given, but the speed with which this technology has evolved in the last few years will likely impress anyone.

With a range of highly sophisticated 2.4 GHz transmitters and receivers, Godox are clearly at the forefront of this revolution. The fact that their products not only cost a mere fraction of those offered by market-leaders such as PocketWizard and Profoto, but in many cases also outperform them, is undoubtedly one of the biggest draws of the Godox lighting range.

FC-16

The FC range of radio triggers are Godox’s simple, no-nonsense manual wireless transceivers for use with basic speedlites and studio strobes, or with older cameras that don’t offer TTL flash operation. In other words, beyond simply firing a strobe, or your camera’s shutter, the only other degree of control on offer here is simply the ability to decide which channel the units should operate on. 

Such a unit may seem very basic by today’s standards. Particularly when compared with Godox’s more sophisticated wireless transmitters. But the FC-16s actually present the best option for photographers who do not intend to make use of relatively recent technological innovations such as high speed sync or TTL flash control. Indeed, for anyone using basic studio lights that do not offer the ability to remotely change power settings, or which lack TTL compatibility, investing in more advanced radio triggers would be a waste of money. Similarly, if you are an analog photography enthusiast who shoots with a mechanical film camera, anything more advanced than an FC-16 would be entirely superfluous. 

Need a simple, dependable trigger to fire a flash from a distance? The FC range of transmitters and receivers is for you. If you’re using a camera from either Canon, Nikon or Sony, be sure to purchase the appropriate version of the FC-16, as the connector cables vary for each of these brands.

Model	FC-16
Power Supply	Transmitter 3V (2*AAA); Receiver 3V(2*AAA)(battery not included)
Transmit Frequency	2.4GHz wireless remote system
Workable Distance	100M (open areas)
Max. Sync speed	1/250s
Channels:	16
Compatible flash	studio flash, outdoor flash & camera flash

 

X1T/X1R

The X1T/R series of wireless units are designed to enable TTL, high-speed sync, and manual flash photography over long distances via 2.4 GHz radio; with the T of course indicating a transmitter unit, and the R a receiver. Although the X1s also function perfectly well when used with manual studio flash, it’s when working with TTL-enabled units such as Godox’s modern strobes and speedlites that this multi-channel trigger really shines.

The X1T offers users 5 groups and supports sync speeds of up to 1/8000. Select a group and you can independently alter parameters such as power (in manual mode) or adjust output compensation. Hold the channel button down for 2 seconds to access the unit’s custom functions, allowing you to create delays of between 0-100ms for rear curtain sync or sync speeds in excess of 1/1000 via HSS. The unit will also permit you to change the zoom settings of your flash, set up multiple flashes, and turn modeling lights on or off, etc, all from a single handy device located on top of your camera.

In addition to controlling off-camera flash, the X1T can also be used to fire your camera’s shutter from a distance. This makes it an essential tool for many wildlife photographers - who may not be able to get close to their subjects. Meanwhile, the X1T will be of interest to photographers shooting long-exposures of any kind; avoiding the risk of camera shake that would be caused by triggering the shutter manually. 



Highly user-friendly, the X1T features a rear LCD and numerous button controls, with a small vertical dial for scrolling through parameters. Down one side of the unit you’ll find on/off switches for the LCD and autofocus assist beam; on the other, PC-Sync and Micro-USB ports. 

The unit attaches securely to your camera via a cold foot on the bottom. Perhaps more importantly, a hot shoe on top means that the X1T can conveniently be used in tandem with other gear and gadgets; such as an on-camera flash or external LED focus-assist light.

Well-made, reliable, and effective even over long ranges, the X1T lacks none of the features of its top-end competitors but comes in at a mere fraction of the price. 

Note that users specifically interested in Godox flash for Canon should go for the X1T-C, which is designed to work seamlessly with Canon’s products.

Model	X1T
Channels	32
Groups	5
Wireless Range	328' / 100 m
Radio Frequency	2.4 GHz
Control Modes	TTL
Sync Speed	1/8000 Sec
Ports	1 x PC Sync 1 x Micro-USB
Bottom Mount	Hot Foot
Top Mount	Hot Shoe
Battery Type	2 x AA
Dimensions	Transmitter: 2.8 x 3 x 2" / 72 x 75 x 52 mm
Weight	3.5 oz / 99.2 g
Package Weight	0.36 lb
Box Dimensions (LxWxH)	4.4 x 4.4 x 2.3"

Model	X1R
Channels	32
Groups	5
Wireless Range	328' / 100 m
Radio Frequency	2.4 GHz
Control Modes	ADI, Manual, P-TTL, TTL
Sync Speed	1/8000 Sec
Ports	1 x 2.5 mm (Flash) 1 x Micro-USB
Bottom Mount	Cold Foot
Top Mount	Hot Shoe
Battery Type	2 x AA
Dimensions	Receiver: 2.8 x 2.6 x 1.9" / 70 x 65 x 47 mm
Weight	2.5 oz / 70.9 g
Package Weight	0.4 lb
Box Dimensions (LxWxH)	4.4 x 4.3 x 2.1"

X2T

The X2 continues the excellent work achieved by Godox with the X1, while also adding a number of advantages of its own. Now the LCD and all controls except the dial are housed on top of the unit. Meanwhile, if you make extensive use of groups and tend to change their parameters fairly often, you will undoubtedly find the X2T much quicker and simpler to operate due to the addition of dedicated buttons, allowing for quick and direct control. 

What’s more, the X2’s LCD and AF assist beam are brighter than those of the X1, making the transmitter ideal for use outdoors in strong sunshine. Perhaps the greatest upgrade here though is the addition of Bluetooth, allowing communication between the X2T, your smartphone, and strobes, via the Godox app.

Model	X2T-C (Canon)	X2T-N (Nikon)	X2T-F (Fujifilm), X2T-O (Olympus), X2T-S (Sony)
Channels	32	32	32
Groups	5 (A,B,C,D,E)	5 (A,B,C,D,E)	5 (A, B, C, D, E)
Wireless Range	328.08’/100m	328.08’/100m	328.08' / 100 m
Radio Frequency	2.4GHZ	2.4GHZ	2.4 GHz
Control Modes	Auto, E-TTL/E-TTL II, Group, Manual, Multi, TTL	Auto, Group, Manual, Multi, TTL, i-TTL	Auto, Group, Manual, Multi, TTL
Sync Speed	1/256 Sec (Normal) 1/8000 Sec (High-Speed)	1/256 Sec (Normal) 1/8000 Sec (High-Speed)	1/256 Sec (Normal) 1/8000 Sec (High-Speed)
Ports	1 x USB Type-C (Data) 1 x 3.5 mm (Flash)	1 x USB Type-C (Data) 1 x 3.5 mm (Flash)	1 x USB Type-C (Data) 1 x 3.5 mm (Flash)
Bottom Mount	Hot Foot (Locking)	Hot Foot (Locking)	Hot Foot (Locking)
Top Mount	Hot Shoe	Hot Shoe	Hot Shoe
Battery Type	2 x AA	2 x AA	2 x AA
Dimensions	2.83 x 2.76 x 2.28" / 72 x 70 x 58 mm	2.83 x 2.76 x 2.28" / 72 x 70 x 58 mm	2.83 x 2.76 x 2.28" / 72 x 70 x 58 mm
Weight	3.17 oz / 90 g	3.17 oz / 90 g	3.17 oz / 90 g
Package Weight	0.385 lb	0.365 lb	0.37 lb
Box Dimensions (LxWxH)	4.5 x 4.25 x 2.7"	4.3 x 4.3 x 2.8"	4.4 x 4.2 x 2.8"

XT32

The XT32 is a fantastic 2.4 GHz wireless trigger for manual and high-speed sync flash photography.  As an evolution from the X1 and X2, you now get a full selector dial on the top - rather than just the edge of a wheel peeking out the back. This makes cycling through menus a whole lot easier. There are also several more buttons, which again speeds up access to menu options.

Like the X1T, the XT32 has 4 custom functions. What changes here is that each now has its own dedicated button for easier access. What’s more, all buttons now have dual uses; for example, while the first button is a dedicated modeling light on/off switch, hold it down for 2 seconds and it locks all the controls so that you can’t accidentally change settings.  

Power is now adjustable at 1/10 power increments, making it much more fine-tunable than the X1 and X2 transmitters (they offer only 1/3 increments). For those using older camera technology, PC Sync and Micro-USB ports are available on the side. All in all, the XT32 is a feature-packed and highly reliable remote transmitter, and yet costs way less than Profoto’s hugely popular Air wireless controllers. 

Model	XT32
Compatible Cameras	XT32C For Canon /XT32N For Nikon
	Support for cameras that have a PC sync socket.
Built-in remote system	2.4G Wireless transmission
Modulation mode	MSK
Power supply	2*AA batteries
High-speed sync	Yes (1/8000s)
Focus assist	Manual open
Second curtain sync	Yes (Setting on the camera)
Transmission range (approx.)	>100m
Channel	32
Group	16 (0-9; A-F)
Synchronization delay set	Yes (0-10ms, use 100us as the unit)
Modeling lamp	ON/OFF
Sound	ON/OFF
Memory function	Settings will be stored for 2 seconds after last operation and recover after a restart
Dimension/Weight	100x50x52mm/80g

XPro

XPro is Godox’s flagship wireless trigger for professionals and enthusiasts alike. Despite being very slightly bigger than the XT32, and offering a much larger screen, the XPro is actually considerably lighter. And whereas the XT32 is good for manual shooting and highspeed sync only, the XPro offers many additional functions while keeping just you equally covered for these features as well. 

Perhaps the main advantage of the Xpro, though, is simply how easy it is to navigate. Indeed it features drastically improved menus when compared with both the XT32 and X1T. You also get a lot more group buttons, plus clear labelling of all the buttons and their secondary functions. As with the XT32, the XPro can be used with older flash units via PC-Sync or USB connections.

Model	XPro-C (Canon)	XPro-N (Nikon)	XPro-S (Sony)	XPro-F (Fujifilm), XPro-P (Pentax), XPro-O (Olympus)
Channels	32	32	32	32
Groups	16	16	16	16
Wireless Range	328' / 100 m	328' / 100 m	328' / 100 m	328' / 100 m
Radio Frequency	2.4 GHz	2.4 GHz	2.4 GHz	2.4 GHz
Control Modes	E-TTL/E-TTL II, Manual, TTL	Manual, TTL, i-TTL	ADI, P-TTL	TTL
EV Range	±3 (1/3 Increments)	±3 (1/3 Increments)	±3 (1/3 Increments)	±3 (1/3 Increments)
Sync Speed	1/8000 Sec	1/8000 Sec	1/8000 Sec	1/8000 Sec
Ports	1 x 2.5 mm (Flash) 1 x USB Type-C	1 x 2.5 mm (Flash) 1 x USB Type-C	1 x 2.5 mm (Flash) 1 x USB Type-C	1 x 2.5 mm (Flash) 1 x USB Type-C
Battery Type	2 x AA	2 x AA	2 x AA	2 x AA
Dimensions	Transmitter: 3.5 x 2.3 x 2" / 90 x 58 x 50 mm	Transmitter: 3.5 x 2.3 x 2" / 90 x 58 x 50 mm	Transmitter: 3.5 x 2.3 x 2" / 90 x 58 x 50 mm	Transmitter: 3.5 x 2.3 x 2" / 90 x 58 x 50 mm
Weight	2.8 oz / 80 g	2.8 oz / 80 g	2.8 oz / 80 g	2.8 oz / 80 g
Package Weight	0.35 lb	0.4 lb	0.4 lb	XPro-F: 0.375 lb XPro-P: 0.37 lb XPro-O:
Box Dimensions (LxWxH)	4.95 x 4.9 x 2.5"	4.9 x 4.85 x 2.5”	5 x 5 x 2.5"	XPro-F: 4.9 x 4.85 x 2.5" XPro-P: 4.9 x 4.8 x 1.35" X-Pro-O: 4.85 x 4.8 x 2.5"

Comparison Between the X1 vs. XPro vs. X2

Accessories

No lighting setup is complete without a range of interchangeable accessories. And this is undeniably one of the strongest points of the Godox flash and continuous lighting systems; not only does the brand offer a wide choice of accessories and lighting modifiers, but there is a high degree of compatibility between all the different products in the range. This means that once you’ve bought into the system with one kind of product - continuous lighting, for example -  there’s a strong chance that you will still be able to use many of your accessories even when expanding to another product area: e.g. speedlite or studio flash.

Lighting Modifiers

Reliable high-output lighting units lie at the heart of the Godox system. Yet the art of creative lighting hinges on much more than rugged power alone. In the hands of a skilled photographer, lighting modifiers are like a scalpel to a surgeon. The wider the range of modifiers available, the more nuanced and powerful the photographer’s control over the final results.

But as anyone who has ever battled to assemble a cheap softbox will know all too well, in order for lighting modifiers to be effective, they need to be easy and convenient to use. This is a fact that Godox clearly appreciates, as they offer a broad range of highly usable and easy to assemble lighting modifiers, covering almost every conceivable lighting scenario.

P90/P120

Godox’s P90 and P120 parabolic softboxes are notable for their relatively deep shape. This makes for a quality of light that is both soft and highly directional, with a much narrower spread.

Quick to set up, and extremely sturdy, the P90 and P120 will appeal to photographers shooting fashion, weddings, portraits, still-lifes, and product photography. Particularly those looking to add a harder and more atmospheric edge to their images while retaining the flattering diffused light that only a softbox can produce. The P/90 and P/120 are compatible with any Bowen’s-mount head and are available in both heat-resistant and lightweight versions.

Model	P90L	P120L
Size	Diameter: 35.4" (90 cm) Depth: 27.3" (69.4 cm)	Diameter: 47.2" (120 cm) Depth: 29.2" (74.2 cm)
Shape	16-sided	16-sided
Compatibility	Most brands of flash head	Most brands of flash head
Removable Front Face	Yes	Yes
Removable Interior Baffle	Yes	Yes
Accepts Grids	Yes	Yes
Requires Speed Ring	Speed Ring with Bowens adapter included	Speed Ring with Bowens adapter included
Maximum Temperature	140°F (60°C)	140°F (60°C)
Weight	3.3 lb (1.5 kg)	3.9 lb (1.79 kg)
Package Weight	3 lb	3.75 lb
Box Dimensions (LxWxH)	34 x 11 x 2"	39 x 11 x 0.2"

SB-BW / SB-FW

The SB-BW and SB-FW are traditional shallow-dish softboxes, producing a widespread of diffused light. Those looking for a greater degree of control will want to go with the FW, as it features a removable honeycomb grid. Both models come in a variety of dimensions to suit each photographer’s specific needs. Again, these come fitted with Bowen’s mounts. 

SB-BW Technical Specifications

Model	Shape	Grid	Inner Diffuser	Outer Diffuser	Mount	Style
SB-BW-6090 (60x90cm)	Rectangle	No	Yes	Yes	Bowens	Constructible
SB-BW-6060 (60cmx60cm)	Square	No	Yes	Yes	Bowens	Constructible
SB-BW-9090 (90cmx90cm)	Square	No	Yes	Yes	Bowens	Constructible
SB-BW-35160 (35cmx160cm)	Rectangle/Stripbox	No	Yes	Yes	Bowens	Constructible
SB-BW-50130 (50cmx130cm)	Rectangle	No	Yes	Yes	Bowens	Constructible
SB-BW-70100 (70cmx100cm)	Rectangle	No	Yes	Yes	Bowens	Constructible
SB-BW-80120 (80cmx120cm)	Rectangle	No	Yes	Yes	Bowens	Constructible

SB-FW Technical Specifications

Model	Shape	Grid	Inner Diffuser	Outer Diffuser	Mount	Style
SB-FW-95 (95cm)	Octagon	Yes	Yes	Yes	Bowens	Constructible
SB-FW-120 (120cm)	Octagon	Yes	Yes	Yes	Bowens	Constructible
SB-FW-140 (140cm)	Octagon	Yes	Yes	Yes	Bowens	Constructible
SB-FW-6060 (60cmx60cm)	Square	Yes	Yes	Yes	Bowens	Constructible
SB-FW-60x90 (60cmx90cm)	Rectangle	Yes	Yes	Yes	Bowens	Constructible
SB-FW-9090 (90cmx90cm)	Square	Yes	Yes	Yes	Bowens	Constructible
SB-FW-70100 (70cmx100cm)	Rectangle	Yes	Yes	Yes	Bowens	Constructible
SB-FW-80120 (80cmx120cm)	Rectangle	Yes	Yes	Yes	Bowens	Constructible
SB-FW-50130 (50cmx130cm)	Rectangle/Stripbox	Yes	Yes	Yes	Bowens	Constructible
SB-FW-40180 (40cmx180cm)	Rectangle/Stripbox	Yes	Yes	Yes	Bowens	Constructible
SB-FW-35160 (35cmx160cm)	Rectangle/Stripbox	Yes	Yes	Yes	Bowens	Constructible
SB-FW-30x120 (30cmx120cm)	Rectangle/Stripbox	Yes	Yes	Yes	Bowens	Constructible

SB-US / SB-UE

The SB-US and SB-UE are highly-portable deep umbrella softboxes for Bowen’s-mount strobes and continuous lights. Available in a variety of sizes. 

Model	Shape	Grid	Inner Diffuser	Outer Diffuser	Mount	Style
SB-UE-80 (80cm)	Octagon	Yes	Yes	Yes	Bowens	Umbrella/Collapsible
SB-UE-95 (95cm)	Octagon	Yes	Yes	Yes	Bowens	Umbrella/Collapsible
SB-UE-120 (120cm)	Octagon	Yes	Yes	Yes	Bowens	Umbrella/Collapsible
SB-UE-6090 (60cmx90cm)	Rectangle	Yes	Yes	Yes	Bowens	Umbrella/Collapsible
SB-UE-9090 (90cmx90cm)	Square	Yes	Yes	Yes	Bowens	Umbrella/Collapsible

 

SB-UBW

The SB-UBW is a portable umbrella softbox that mounts like a studio umbrella but utilises an enclosed deep reflective softbox design. Available in various sizes. 

Model	Shape	Grid	Inner Diffuser	Outer Diffuser	Mount	Style
SB-UBW80 (80cm)	Octagon	Yes	No	Yes	Umbrella	Umbrella
SB-UBW95 (95cm)	Octagon	Yes	No	Yes	Umbrella	Umbrella
SB-UBW120 (120cm)	Octagon	Yes	No	Yes	Umbrella	Umbrella

 

ADS-S65 / ADS-85

A pair of excellent lightweight Godox-mount softboxes for shooters on the move who don’t wish to compromise on either speed or quality of light. Using an umbrella-style mechanism, the ADS-S65 and ADS-85 are super quick and easy to set up. Likewise, as the inner diffuser/reflector attaches by means of velcro, it takes just a couple of seconds to mount or remove. Choose between white and silver interiors.

Model	AD-S65S	AD-S65W
Interior Colour	Silver	White
Size	65cm/25.6"	65cm/25.6"
Design	Parabolic Umbrella	Parabolic Umbrella
Grid	Yes	Yes
Mount	Godox	Godox
Compatible With	AD400Pro, AD300Pro	AD400Pro, AD300Pro

Model	AD-S85S	AD-S85W
Interior Colour	Silver	White
Size	85cm/33.46"	85cm/33.46"
Design	Parabolic Umbrella	Parabolic Umbrella
Grid	Yes	Yes
Mount	Godox	Godox
Compatible With	AD300Pro, AD400Pro	AD300Pro, AD400Pro

Tulip Softboxes

Perfect for the run-and gun-location shooter who uses speedlites or portable flash units, the Godox range of “tulip” softboxes provide maximum ease of use combined with fantastic light-modifying capabilities. Featuring an inner and outer white diffuser, tulip softboxes produce a beautifully soft quality of light. Meanwhile a grid is included for when more directional results are required.

As they lack any fussy, time-consuming frames or poles, tulip softboxes are super quick and easy to set up. Square shaped and using a Godox Bowen’s S-mount, they collapse down like a foldable car sun-visor, stowing away into a convenient and compact carry pouch. 

Model	SB-NBM 6060
Shape	Square
Interior	Silver
Requires Speed Ring	Yes, Included
Accepts Grids	Yes
Removable Front Face	Yes
Material	Aluminum, Fabric
Rectangular Dimensions	W: 23.6 x H: 23.6" / W: 60.0 x H: 60.0 cm
Package Weight	2.5 lb
Box Dimensions (LxWxH)	21 x 8 x 2"

Model	SGUV8080
Shape	Square
Interior	Silver
Requires Speed Ring	No
Accepts Grids	Yes
Removable Front Face	Yes
Removable Interior Baffle	Yes
Material	Polyester
Rectangular Dimensions	W: 31.5 x H: 31.5" / W: 80.0 x H: 80.0 cm (Open)
Package Weight	3.35 lb
Box Dimensions (LxWxH)	11 x 9.5 x 5"

Barn Doors / Gels

A basic element of any photographic lighting kit, barn doors are essential for controlling the direction and spill of light. Four folding black panels attach to the front of the head; open them wide for full illumination of the scene, or shut them down for a much narrower beam. Alternatively, closing a single flap will allow you to flag unwanted spill from just a particular area of the subject.

Meanwhile, whether used for matching a location’s ambient colour temperature or as a way of adding creative spice to your lighting setups, a set of colour gels is an important weapon in any photographer’s arsenal.

Model	BD-04
Design	4-Leaf
Dimensions	7 x 0.2 x 0.2" / 178 x 6 x 6 mm
Weight	Not Specified by Manufacturer
Package Weight	1.8 lb
Box Dimensions (LxWxH)	8 x 8 x 2"

Snoot

The Godox SA-P snoot is a light modifier that is compatible with the brand’s S30 continuous LED unit. This is a narrow optical snoot; meaning that it contains a lens allowing precise focusing and shaping of the light source. Lenses can be switched out for other focal lengths, producing either a wider or narrower beam as required.

Alternatively, slide in aperture control, and you can snoot the beam down to almost a pinprick of light for truly precision lighting work. Or add cookies and gobos for more elaborate effects and light-shaping possibilities. Great for dramatic cinematic lighting or for still-life, product, and jewelry photography where a high degree of detail and accuracy is required.

Bags

Godox offers a wide choice of carrying cases and bags in which to transport their products. These range from simple carrying bags for light stands to sturdy wheeled suitcases capable of containing an entire studio’s worth of lighting; stands, heads, battery packs, and accessories. Sturdily built, with padded sides and inner dividers, Godox’s lighting bags will help keep your precious lighting equipment safely stored yet easily accessible as you move from location to location.

CB-01

The CB-01 is a huge wheeled carrying case that is as appropriate for transporting light stands and tripods as it is for storing several larger flash heads. Measuring 114 cm long, there’s plenty of room for even the tallest of stands to sit alongside sundry other items, such as umbrellas, color gels, frost, cinefoil etc. Alternatively, use internal dividers to keep several AD-series flash heads safe and secure while on the road. Strongly built, with semi-rigid sides, a padded top, and durable nylon carrying straps, the CB-01 guarantees that your valuable lighting kit will arrive on location in tip-top shape every time. 

Model	CB01
Interior Dimensions	43.7 x 9.8 x 13" / 111 x 25 x 33 cm
Closure Type	Zipper
Carry and Transport Options	2 x Connecting Handstrap 1 x Handle
Casters	2
Material of Construction	Nylon
Exterior Dimensions (W x H x D)	44.9 x 13.2 x 9.4" / 114 x 33.5 x 24 cm
Package Weight	21 lb
Box Dimensions (LxWxH)	48 x 14 x 13"

CB-03

The CB-03 is a long, narrow padded carry-bag that is designed for transporting tripods and smaller lightweight light stands.

Model	CB03
Type of Closure	Zipper
Carrying/Transport Options	Connecting Handstraps
Padded	Yes
Material	Nylon
Exterior Dimensions	40.9 x 7.5 x 5.9" / 104 x 19 x 15 cm
Package Weight	2.05 lb
Box Dimensions (LxWxH)	8 x 4.7 x 0.2"

CB-04

The CB-04 is a mid-sized carrying case that is well suited to storing either multiple AD-series flash kits, or shorter light stands and other accessories. Featuring reinforced sides, durable wheels, and strongly-stitched carrying straps, the CB-04 is capable of transporting an entire medium-sized portable lighting setup.

Model	CB-04
Closure Type	Zipper
Carry and Transport Options	2 x Connecting Handstrap 1 x Top Handle
Casters	2
Exterior Dimensions (W x H x D)	30.7 x 9.4 x 9.4" / 78 x 24 x 24 cm
Package Weight	11.25 lb
Box Dimensions (LxWxH)	33.5 x 12 x 11.35"

CB-05

The CB-05 is a padded carry-bag with internal dividers that is marginally smaller than the CB-04 and lacks its wheels. Despite this, it’s plenty big enough to hold a good 2 or 3 strobe kits for when shooting on the move. 

Model	CB-05
Closure Type	Zipper
Carry and Transport Options	2 x Connecting Handstrap Shoulder Strap
Material of Construction	Nylon
Exterior Dimensions (W x H x D)	28.3 x 9.4 x 9.4" / 72 x 24 x 24 cm
Package Weight	4.4 lb
Box Dimensions (LxWxH)	33 x 14 x 5"

CB-06

Shorter but slightly wider than the CB-01, the CB-06 carry case still offers plenty of room for most smaller lighting stands and tripods. Alternatively, it will just as easily accommodate a range of Godox lights and accessories. Wheels and heavy-duty straps make the bag easy to maneuver, while semi-rigid sides and a padded lid help guarantee that your gear arrives safe and sound at its destination. 

Model	CB-06
Closure Type	Zipper
Carry and Transport Options	2 x Connecting Handstrap 1 x Top Handle
Casters	2
Exterior Dimensions (W x H x D)	37 x 13.4 x 9.8" / 94 x 34 x 25 cm
Package Weight	18 lb
Box Dimensions (LxWxH)	41 x 16 x 13"

CB-09

The Godox CB-09 carry-case is a smaller semi-rigid bag that will happily house one or two larger AD-series strobe kits. Alternatively, it could be used to carry two or three smaller units, such as the V1 or the AD360II, along with spare batteries, charger, and other accessories. The bag comes with padded internal dividers that the user can position as required.

Model	CB-09
Material	Nylon
Color	All Black (no logos)
Dimension	46cm×34cm×17.8cm/18.11”×13.39”×46.38”
Weight	2298g

 

CB-12

The CB-12 is a sturdy shoulder bag designed specifically for housing a single Godox AD600Pro lighting kit. Made from durable nylon and featuring semi-rigid sides and padded internal dividers, the CB-12 makes a convenient alternative to a traditional hard carry-case. 

Model	CB-12
Brand	Godox
Model	CB-12
Material	Nylon
Color	Black & Orange
Exterior Dimensions	300 x 260 x 140mm
Compatible with	AD600PRO Flash Head Kit
Water Resistant	No
Removable Dividers	Yes

 

Stands and Other Accessories

While undoubtedly not the most exciting bit of photographic equipment, nor one with specs that anyone is ever likely to geek-out on, lighting stands and mounting clamps are nonetheless an essential consideration for anyone putting together a photographic lighting system for either studio or location work. And although most stands may superficially look the same, small variations in design and manufacturing can make a big difference to their performance in the field.

Unfortunately, with inferior stands, these are often the kinds of differences you only find out about once it’s too late, and your expensive lights lie broken on the floor. Thankfully though, Godox offer a broad selection of sturdy, well-made stands that are up to the punishment of daily professional use and will keep your valuable equipment positioned firmly on its feet. 

Standard Light Stand

Available in a variety of measurements, this air-cushioned aluminum light stand provides a sturdy but lightweight solution for most shooting situations.

Section	2
Max Height	180cm
Folded Height	75cm
Poles	22/19mm
Leg	16
Locking Knob	Plastic
Stud Adaptor	1/4

Heavy Duty Light Stand

The Godox Heavy Duty Light Stand will prove indispensable when working with bigger lights or when shooting outdoors in windy conditions. Made from strong but lightweight aluminum.

C-Stand

C-Stands offer an extra degree of stability when compared to regular lighting stands. For this reason they are the default stands in most professional photography studios the world over. C-Stands are not only for studio work though; despite their extra weight, they can be highly advantageous to use even on location.

Planning on using a big softbox? With a boom arm? Outdoors? In high wind? The only safe solution would be a C-Stand and a couple of sandbags for ballast. 

Centre Stand Maximum Height	3.05m / 10ft
Centre Stand Folded Height	1.2 metres / 4ft
Boom Arm Length	1.2 metres / 4ft
Material	Stainless Steel
Colour	Silver
Maximum Capacity	20kg

 

S-Type Bracket

The S-Type Bracket is a patented bit of Godox innovation that allows speedlite users access to all the advantages of a Bowen’s mount; namely the kind of pro-level modifiers and accessories that are normally only available to owners of larger studio lights. Just clamp the head of your speedlite into the bracket, and you can now make use of any Bowen’s-compatible modifier such as an umbrella or softbox.

Aside from permitting the use of a greater range of accessories, though, the S-Bracket is simply a much more secure way of mounting a speedlite on a stand, bypassing as it does the weakest point of any speedlite; the hot shoe.

Model	S-Type Bracket
Mount	5/8" (16 mm) receiver
Dimensions	8.6 x 6.0 x 2.2" (22 x 15 x 5.5 cm)
Weight	14.4 oz (410 g)
Package Weight	1.16 lb
Box Dimensions (LxWxH)	9.35 x 6.5 x 2.65"

 

S2 Bracket

An updated version of the S-Type Bracket (above), the S2 is weightier and sturdier than the first iteration and features an improved mounting grip that will now also accept round flash heads such as the V1.

What’s more, the S2 comes with a more convenient handle for adjusting the angle of the bracket on a light stand, and the mount itself is now made of metal and will permit horizontal positioning on the stand. There’s an improvement to the umbrella-mount too, as this now features a slide-in auto-locking mechanism that makes the umbrella much more stable when in use.

Model	S2 Bracket
Mount	5/8" / 16 mm Receiver
Dimensions	7 x 6" / 18 x 15.3 cm
Weight	Not Specified by Manufacturer
Package Weight	1.375 lb
Box Dimensions (LxWxH)	7.3 x 6.3 x 3.7"

Final Thoughts

Godox gear is for photographers who care about the quality of their lighting equipment but who either cannot afford to or simply don’t want to, pay the higher prices commanded by the big-name lighting brands. Whereas once “made in China” might have signified cheap prices but did little to reassure in terms of either longevity or quality, times have well and truly changed. This is particularly the case when it comes to photographic lighting equipment.

In many ways, the situation is similar to that of postwar Japan. Initially, Japan was seen as a source of affordable electronics of questionable quality. But this was largely because cheap knock-offs were precisely what Western markets wanted from them. Yet Japanese manufacturers quickly proved themselves capable of producing products that were not only every bit as good as their European or N. American counterparts but often better than them. Today nearly all the leading camera manufacturers are Japanese.

China is currently undergoing a similar transition; in the early stages of a shift from being merely a source of cheap consumer electronics to establishing itself as an innovative producer of world-class products. Within the realm of photographic lighting, Godox is undoubtedly at the forefront of this evolution. The brand has repeatedly shown itself capable of coming up with new and exciting products that not only rival those of the big-name photographic lighting companies but in many cases actually improve upon them. And at a considerably lower price. 

Clearly, then, by buying into the Godox lighting system today you will be able to enjoy an ever greater number of benefits as the brand continues to innovate in the future. As official Godox Australia distributors, here at Hypop, we’re uniquely placed to offer firsthand knowledge and advice regarding the brand’s products. To learn more about Godox lights and accessories and how they can transform your photography, feel free to get in touch with our customer service team either by mail or phone.